Tap has been part of the Rockettes’ identity since the company was founded in 1925. Arnold’s contribution gives that history a contemporary edge, pairing the dancers’ signature precision with a more percussive style. “I wanted to unite their iconic precision with the amazing rhythmic language and cultural impact of tap dance,” Arnold says of the number. The new scene in the Christmas Spectacular will also make an impression visually. Its custom black-and-silver costumes feature more than 3,600 individual crystals, with sparkling shoe spats, shoulder epaulettes and glittering headpieces that evoke the shimmer of a metal bell. The accessories were fabricated in New York using 3D-printing technology, while each dancer’s mesh, tights and shoes are color-matched to her individual skin tone.

The show is also getting a technological overhaul. For the first time, cameras positioned discreetly around the stage will transmit live footage to two screens flanking the performance. The angles will include overhead views of the Rockettes’ formations and side views of the famous kickline, offering perspectives that can be difficult to appreciate from the audience. The move builds on recent production enhancements, including expansive digital projections, holographic animations, fairy drones and Radio City’s Sphere Immersive Sound system, introduced in 2025. That sound system will play a role in “Ring,” too. As Santa introduces the new number, the opening notes of “Carol of the Bells” will move around the theater, with bells, harp and vocal elements enveloping the audience. Wireless microphones fitted to the dancers’ shoes will ensure that the tap rhythms cut through the orchestration. The 2026 production will feature ten Rockettes performance numbers, the most in the show’s history, across a record 230 performances. After more than 90 years, the show is still finding ways to make its signature spectacle feel new. This season, that means keeping the kickline while giving audiences a closer look at every step.

The new overhead camera view of the Radio City Rockettes

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There is something reassuring about getting behind the wheel of a Volvo. The Swedish automaker has always understood that luxury is as much about how a car makes you feel as how it looks. The new all-electric EX60 is a case in point: beautifully restrained, thoughtfully designed and packed with technology that makes everyday driving feel a little more effortless. Volvo‘s new midsize SUV has an elegant, sculptural silhouette that manages to feel both substantial and streamlined. Frameless doors, flush glazing and a gently sloping roofline give it a distinctly modern profile. But the EX60 is more than a pretty face. Starting at $59,795, it offers up to 330 miles of EPA-estimated range in its P10 AWD configuration, with a forthcoming P12 AWD expected to deliver up to 400 miles. Its native NACS charging port also provides access to compatible charging stations, including the Tesla Supercharger network.

The Volvo EX60 center console screen

Inside, technology is designed to simplify rather than complicate. An intuitive OLED display keeps essential information within easy reach, while Google’s Gemini conversational AI assistant allows drivers to ask questions, find restaurants and manage everyday tasks using natural language. Audiophiles will appreciate the available 28-speaker Bowers & Wilkins sound system, complete with Dolby Atmos and speakers integrated into all four main-seat headrests. Naturally, safety remains central to the Volvo experience. The EX60 introduces the world’s first multi-adaptive safety belt, which uses sensor data to adjust belt tension according to an occupant’s size, seating position and the nature of a collision. It is a remarkable evolution of the three-point seatbelt, an invention that helped establish Volvo’s reputation as a safety pioneer. Families will also appreciate available integrated booster cushions in the second row.

What I particularly liked about driving the EX60 with my young family in tow is that nothing feels overdone. It combines sophisticated technology, genuine practicality and understated design without losing sight of what makes a car enjoyable to drive. In true Scandinavian fashion, Volvo has made a compelling case that the future of electric driving can be both beautifully simple and remarkably smart.

The Volvo EX60

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As the founder and chief executive officer of Buttonwood Development, a Manhattan-based real estate development and investment company, Heiberger has focused on residential properties and projects in some of New York’s established neighborhoods. His career has included launching brokerage firms, overseeing business expansion, and participating in the development and repositioning of residential properties.

Building Citi Habitats

Heiberger founded Citi Habitats in 1994 at the age of 26. The Manhattan-based residential brokerage grew from a small operation with two brokers in one office to a business with more than 1,000 licensed representatives and staff across approximately 20 locations. Its expansion established Citi Habitats as a significant participant in New York City’s residential real estate market.

In 2004, Citi Habitats was acquired by NRT Incorporated, a real estate brokerage company that was then a subsidiary of Cendant Corporation. The acquisition marked an important milestone in Heiberger’s early entrepreneurial career.

Launching TOWN Residential

In December 2010, Heiberger founded TOWN Residential, positioning the firm in New York City’s luxury residential real estate market. The company expanded to hundreds of real estate professionals and reported approximately $14 billion in sales across 23,000 transactions before discontinuing its resale and leasing operations in 2018.

Heiberger stepped down as chief executive officer in January 2014 while retaining an ownership interest. The company’s growth and subsequent closure of its brokerage operations marked another chapter in his experience building and managing real estate businesses.

Expanding Into Development and Investment

Heiberger founded Buttonwood Development in 2005. The Manhattan-based company focuses on real estate development, investment, and advisory services, extending his work beyond residential brokerage into property development and investment.

Among the projects associated with Buttonwood was Greenwich Club Residences at 88 Greenwich Street, a 452-unit condominium conversion in Lower Manhattan. According to company information, the project generated more than $340 million in residential sales. Buttonwood also participated in the redevelopment of One Rector Park, a 174-unit condominium property in Battery Park City.

In 2026, Heiberger collaborated with real estate investor Howard Lev of Wheelhouse Property on London Clay Townhouse, a boutique residential conversion at 32 East 22nd Street in Manhattan’s Flatiron District. The project comprises three private condominium residences within a renovated townhouse near Madison Square Park and Gramercy Park.

Recognition and Industry Involvement

Heiberger’s career has received recognition from business and real estate organizations. In 1998, he was named to Crain’s New York Business 40 Under 40 list. In 2001, he received an Ernst & Young Entrepreneur of the Year award. He has also served on the board of governors of the Real Estate Board of New York, an industry organization representing participants in the city’s real estate sector.

Beyond Residential Brokerage

Following the closure of TOWN Residential’s brokerage operations, Heiberger focused in part on Luxury Attaché, a luxury lifestyle and concierge services company. In 2020, he discussed his involvement in expanding the business into major U.S. markets, reflecting a broader approach to serving clients in the luxury residential sector.

A Career Across Multiple Real Estate Sectors

From founding residential brokerage firms to pursuing property development and luxury lifestyle services, Heiberger’s career has encompassed several areas of New York City’s real estate industry. Through Citi Habitats, TOWN Residential, and Buttonwood Development, he has participated in the evolution of residential brokerage and development across multiple market cycles.

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Built around the philosophy that luxury is not simply about what people own, but how they live, Cayre Collection represents an ambitious approach to creating destinations that inspire connection, creativity and memorable experiences.

At its core, Cayre Collection operates at the intersection of luxury hospitality and real estate. Its business encompasses the established real estate platform Midtown Equities, private membership concepts and exclusive events, combining property expertise with lifestyle-driven programming.

What makes Cayre Collection special?

Unlike traditional real estate companies focused primarily on developing and managing buildings, Cayre Collection emphasizes what happens inside those spaces.

The company’s distinguishing concept is the integration of architecture, design, hospitality, entertainment and community into a unified luxury experience.

Its hospitality portfolio includes the world of private membership and curated events, with Chez Margaux serving as an example of the sophisticated, intimate environments associated with the brand.

Michael Cayre’s broader entrepreneurial activities also demonstrate an interest in experiences that challenge conventional boundaries. He has been associated with Mercer Labs, the immersive New York art and technology destination developed with artist Roy Nachum. The project illustrates how real estate can become a platform for artistic innovation and cultural engagement.

The company’s mission

Cayre Collection’s mission can be understood as creating exceptional, design-led environments that bring people together through hospitality, culture and memorable experiences.

The goal extends beyond providing luxury accommodations or exclusive access. It is about cultivating communities, establishing emotional connections and transforming distinctive spaces into destinations with lasting cultural relevance.

Its approach suggests that successful luxury brands must deliver more than exceptional physical surroundings. They must also provide meaningful experiences, outstanding service and a compelling sense of belonging.

The message: A new definition of luxury

The Cayre Collection philosophy can be summarized in one powerful idea: Luxury is not just a place. It is an experience.

In an increasingly competitive hospitality market, the company seeks to distinguish itself through exclusivity, originality, thoughtful design and cultural relevance.

Its combination of real estate investment, private membership and experiential hospitality positions Cayre Collection to appeal to a sophisticated audience that values access, privacy, creativity and exceptional environments.

For Michael Cayre, the opportunity lies in building more than successful properties. It is about creating destinations that people want to experience, return to and become part of.

The larger vision is to turn exceptional spaces into enduring lifestyle brands.

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Le Monde Béryl

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Demi Moore carries a personalized T Signature Bag

Now, clients can make it their own with a personalized finishing touch. The service extends beyond handbags to include the T Signature Belt, T Signature Bracelet and new T Signature Ankle Boot, selected from the brand’s Fall-Winter collection. Each piece can be customized with initials, adding a personal detail to designs rooted in Tod’s understated approach to Italian luxury. Explore the brand’s official U.S. collection for more. With My Signature, Tod’s offers a fresh take on personalization, pairing the appeal of a signature accessory with the enduring value of craftsmanship. The result is a collection of pieces that feel a little more individual—and all the more personal.

Tod’s T Signature Belt on the runway

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The hotel lobby

DuJour spoke with Boaz Elani, the hotel’s general manager, to learn more about the property and the room guests request again and again.

What is the most requested room at the property?

Our Sea Front Rooms, and it’s easy to see why! Each of the rooms offer uninterrupted views of the Mediterranean Sea, and they are consistently a favorite due to their prime location and ideal vantage point over the water. Our guests frequently share how much they love waking up to views of the sea and experiencing the beauty of the coastline from their rooms.

What makes them so special?

What sets the Sea Front Rooms apart is the connection they create between the guest and the surrounding coastline. The rooms were thoughtfully designed to maximize views of the Mediterranean from nearly every angle. Our recent renovation has resulted in an exceptionally inviting layout and calming interiors, ensuring each of the rooms creates a truly tranquil environment.

The hotel pool

What is the nightly rate for this room?

Between $600 and $800

What is an interesting tidbit about the hotel that speaks to its status as an iconic property?

One of the most fascinating symbols of the hotel’s iconic status is our guest book, which features personal dedications from an extraordinary array of notable guests over the years. From world-renowned musicians to politicians and celebrated athletes, its pages tell the story of the remarkable people who have chosen to stay with us. It’s truly a living piece of the hotel’s history and a testament to our enduring legacy.

What is your personal favorite room, and why?

The Mediterranean Suite. The standout feature of the suite is a bathtub that overlooks the Mediterranean. The tub has a window right next to it that beautifully frames the sea, and it’s one of those rare spaces where guests can unwind and have a truly memorable, one of a kind moment.

A club level guest room

What is a special perk or amenity the hotel offers that most guests may not know about?

During the summer season (April-October), we offer complimentary ice baths during the weekends right next to the pool.

What is your favorite design element on the property?

The Club Lounge on the 18th floor has always been my favorite space on the property. Its elevated position offers sweeping views of the Mediterranean, and what I appreciate most is how the design complements the setting as opposed to competing with it. The atmosphere feels relaxed and welcoming, and the food and beverage offerings give guests another reason to linger and enjoy the space and views. Rather than feeling too formal, the lounge balances sophistication and comfort that feels reflective of the character of the hotel.

How about one more fun fact about the property?

Sheraton Grand Tel Aviv was the first Sheraton property outside of the United States, and we will celebrate our 50th Anniversary in 2027.

The Palm restaurant

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DuJour spoke with Joe Rockey, the hotel’s house manager, to discover what makes Sea Containers—and its most requested suite—so special.

What is the most requested room at the property?

The Riverview Balcony Suite

What makes it so special?

It’s the view. You’re perched right above the Thames, so close to the river it almost feels like you’re floating on it. Then you step out onto your own private balcony with St. Paul’s in one direction, the city skyline in the other, and London carrying on all around you. It’s one of those rooms where guests walk in, stop talking for a second and just take it all in. I never get tired of seeing that reaction.

The hotel lobby

What is the nightly rate for this suite?

From £720

What is an interesting tidbit about the hotel that speaks to its status as an iconic property?

People are often surprised to learn that Sea Containers London sits inside the iconic Sea Containers House, designed by Warren Platner. The building has always been a landmark on the South Bank, and today it’s home to one of London’s most design-led hotels. We’re constantly evolving, too—the newly reimagined Thames Suites by our designer and creative director, Jacu Strauss, are the latest chapter in our story.

A Mid-Century suite

What is your personal favorite room, and why?

For me, it’s the Thames Apartment every time. It feels like having your own incredible London apartment rather than staying in a hotel. I could happily pour a glass of good red wine, watch the boats go by for a few hours, invite friends over for dinner and never leave the suite all weekend.

What is a special perk or amenity the hotel offers that most guests may not know about?

Our Thames Suite guests enjoy a dedicated arrival experience with private check-in, but for me it’s more than that. We really get to know our guests before they arrive. Whether it’s filling the fridge with their favorite champagne, arranging flowers, booking the best table in the house or celebrating a special occasion, we love making every stay feel personal.

The Gordon Ramsay at Sea Containers restaurant

What is your favorite design element on the property?

I love how the maritime inspiration runs throughout the hotel without ever feeling obvious. You notice something different every time—the curves, the brass details, the artwork, the lighting. It all nods to the glamour of ocean liners, but in a really modern way.

What are your favorite things to do or see in London—or specifically around the South Bank neighborhood?

I always tell guests to forget the Tube for a while and just walk. Head east towards Borough Market and Tower Bridge or west to the London Eye and Westminster. Stop for a coffee, wander into a gallery, jump on an Uber Boat, grab a drink by the river. The South Bank has this brilliant way of making London feel relaxed, and you discover something new every time you explore.

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It’s a ritual. After tea, make a wish, then toss the coin into the fountain, and, apparently, your wish will come true.

I can’t speak to the veracity of this little ceremony, mostly because I’m still waiting for my wish to become a reality. Then again, it was a bit of an open-ended one without a timeline or expiration date.

I wished I could live at the Peninsula Beverly Hills.

I probably should have included some caveats: i.e. how long I wanted to live there, that it needed to be in a hotel room, and that I would also accept living arrangements at the Peninsula Chicago, which happens to be celebrating its 25th birthday this year, too.

The term “luxury travel” gets thrown around a lot these days. So many hotels—chains and boutique properties alike—are labeled as such. But when it comes to understated elegance mixed with a kind of matchless comfort as well as service that strives for quiet perfection, the Peninsula is pretty much the tippy top, at least as exemplified by the Beverly Hills and Chicago properties. (I’ve only otherwise stayed at the Peninsula in Paris for a few nights and poked my head into the New York outpost to say hi to a friend for lunch.)

People often forget that Chicago is a world-class destination in and of itself. It has thriving theater and food scenes. On my recent trip, I took an excursion to see Theater of the Mind, a neat immersive piece conceived by David Byrne and his wife Mala Gaonkar and produced by the Goodman Theatre. Beforehand, I went on a little food crawl: a breakfast sandwich on the perfect English muffin at Doma Cafe followed almost immediately by fusilli con ragu at Monteverde in the West Loop.

But it’s worth traveling to Chicago to stay at the Peninsula on its own, if only just to have a few meals at Pierrot Gourmet, a Joan’s on Third-meets-Polo Bar throwback that feels like a place my mom would have taken me when I was growing up and also presses my favorite breakfast and lunch buttons. Other great food moments you can have on property: the perfect club sandwich delivered to your room; dim sum from Chef Elmo at Shanghai Terrace; and, if you book ahead, a special chocolate slash wellness slash Tarot session with Katrina Markoff, the founder of the new chocolate brand Violet Flame.

I should say that the Peninsula Chicago is the only hotel I’ve stayed at in years that a) had a shower that was actually simple to use and b) asked if I wanted the newspapers delivered in the morning. The Financial Times and the New York Times at my door to accompany my breakfast? What an unbelievable treat.

You really haven’t lived until you’ve driven up to Erewhon on South Beverly Drive in a Rolls-Royce. You can do that at the Peninsula Beverly Hills. Erewhon is one of the things I miss most about my time living in Los Angeles. Since I moved away, the gourmet grocery store has expanded like crazy. In the process, it’s become a pretentious, ridiculous scene. But I still love it, and it seems highly appropriate to venture there via chauffeur in the ne plus ultra of luxury vehicles. Just ask the concierge if the house car is available, and you’ll have a $19 breakfast burrito in hand in no time. That is, if you’re willing to forgo breakfast on property. May we recommend the divine choco-charcoal acai bowl at the Belvedere along with an iced Hojicha Latte?

If Hollywood is a place where dreams come true, the Peninsula Beverly Hills is certainly the kind of place where I’d like to see mine come to fruition. Hence, the aforementioned wish I made after some mint tea one afternoon during my stay. What makes it special isn’t cutting-edge technology but the impeccable service and genuinely warm human interaction. Throughout my stay, someone kept replenishing the fruit plate in my room, replacing the grapes and other little things I’d eaten. In all my years staying in hotels, I’d never experienced that. That’s what staying at the Peninsula Beverly Hills is like: constant new experiences that feel like home.

Which is why I didn’t want to leave, and why I hope that wish still comes true. Though maybe I should throw another commemorative coin in the fountain, just in case.

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Here Rabe, who appeared in this summer’s Shakespeare in the Park production of The Winter’s Tale and can be currently seen on Apple TV’s Shrinking talks about what drew her to Other Desert Cities.

What is your prior relationship with the play?

I saw it on Broadway in 2011. Judith Light is a dear friend so I wouldn’t have missed it. I remember thinking, “I hope they revive this play and I can play that part.” You have these thoughts but never think they will become reality. I love Jon Robin Baitz’s writing so much. I love the writing in the play more and more doing it, it’s the kind of play you can imagine doing for a long time, there’s so much to mine. It felt politically relevant then, and, unfortunately, it’s still very politically relevant today. Outside of politics the play is timeless in all sorts of ways. It’s about uncovering a piece of a family’s history and what that does to the relationships in it.

Why revive it now, and what should 2026 audiences take away?

Well, I hope it swings some votes! As an artist, speaking to the political moment is always important, and it certainly can be said that it is more important than ever right now. There’s so much division in this country, in the world, and there is so much division in the Wyeth family, politically and personally, and that kind of divisiveness plays out on both the macro and micro levels.

What is your wind-down routine after a show, in terms of watching, reading or listening?

I’m always looking for the perfect wind-down show. It’s usually British. I just finished the last available season of Colin from Accounts, which is actually Australian, and I love watching my friends Rafe Spall and Esther Smith in Trying. That one’s British. Sharon Horgan in anything. [Husband] Hamish [Linklater] just bought me the new Emma Cline novel. Winding down always takes me a while after the show, so finding things that hit the sweet spot is a challenge. I try to find things that feel cozy.

How does this ensemble compare to others you’ve worked with in the past?

I’ve never loved an ensemble of actors more. We’re very close, and we all feel so lucky to be doing this play together. We keep finding ways to spend more time together, not less. We warm up together, we dance together, we go out to dinner on our night off. I’m in love with them individually and collectively, on stage and off. It may sound like hyperbole, but it’s fact.

How has performing indoors compared to your time at Shakespeare in the Park?

I have been able to delete a lot of weather apps off my phone. Over the summer, I was very keyed into what the skies were doing, how ominous they were looking, and whether the show would happen. Now I just think about whether or not I should grab an umbrella, so the stakes are lower for sure in that department. On the other hand, doing a play outside, at the Delacorte, in the rain or heat or whatever it may be, is one of my greatest joys. I suppose it is nice knowing no one’s at risk of missing the show when you do an indoor play. And that the weather has less of an emotional hold on me for the moment. But I love doing plays with ceilings and without them, and I will forever.

Julia Louis-Dreyfus as Polly Wyeth & Lily Rabe as Brooke Wyeth in “Other Desert Cities” (Emilio Madrid)

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Dior Beauty at Oakbrook Center

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“The pearl carries a quiet, enduring power,” says Choi, describing the collection as “a subtle expression of our past that continues to shape our future.” It’s a fitting choice for a brand that has been playing with pearls since its earliest days. Jimmy Choo’s original boutiques incorporated alabaster travertine with a pearlescent quality while the brand’s signature pink-grey packaging is known as “oyster.” Over the years, pearls have appeared everywhere from mother-of-pearl heels and embroidered shoes to strung ankle straps and pearl studs. The new jewel-like Jimmy Choo collection, of pumps, sandals, flats and minaudières embroidered with pearls, makes the most of that history without getting stuck in it.

There is something particularly apt about the pearl as Jimmy Choo celebrates its third decade. Unlike a flashier gemstone, the pearl suggests something accumulated over time. It is also a little contradictory, which makes it well suited to Choi’s vision: traditional yet playful, delicate yet striking, polished yet never too precious. The collection ultimately makes the case for the pearl as more than an heirloom tucked away for special occasions. These are pieces meant to be worn, and, perhaps, eventually passed down. After all, if the first 30 years are any indication, there may be another three decades of Jimmy Choo pearls to come.

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The reception area at Franklin’s

Coloring stations at Franklin’s

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Known as London Clay Townhouse, the development occupies a landmark building at 32 East 22nd Street, where original architectural details are being carefully preserved alongside contemporary interiors and bespoke finishes. The project is expected to generate more than $20 million in sales, underscoring continued demand for highly curated luxury residences that prioritize craftsmanship and privacy over scale.

The collaboration brings together two seasoned New York developers. Heiberger, founder and CEO of Buttonwood Development, has built a reputation for identifying distinctive residential opportunities across Manhattan, while Lev, founder of Wheelhouse Property, has focused on thoughtfully executed projects that emphasize quality over quantity. Their shared vision is evident throughout London Clay Townhouse, where every square foot has been designed to maximize light, volume and livability.

The collection includes three unique residences, each with its own identity. A Garden Parlor home offers townhouse-style living with generous entertaining spaces, while the Upper Parlor residence features soaring ceilings and a private terrace that extends the living experience outdoors. Crowning the building is a penthouse duplex complete with its own rooftop retreat, offering panoramic city views and an uncommon level of privacy. Original proportions, classic façades and carefully restored architectural details offer a level of authenticity that cannot be manufactured. For Heiberger and Lev, London Clay Townhouse is more than another residential development. In a neighborhood defined by historic architecture and sophisticated urban living, London Clay Townhouse is poised to become one of Flatiron’s most exclusive residential offerings.

Howard Lev and Andrew Heiberger

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Hotel Blommingdale’s by The Ritz-Carlton

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Almost 300 guests—among them Glenn and Amanda Fuhrman, John and Gela Taylor, Stacey Bendet, Darren Star, Jill and Harry Kargman, Celerie Kemble, Meredith Melling and Zach Iscol, singer James Blunt, Dana Goodyear, Nancy Walker, Naomi and Rowan Hajaj, Bonnie Morrison, Leslie Stevens, Indre and Justin Rockefeller and Adrien Brody and Georgina Chapman—descended on the Balearic Island in mid-August to watch the Eclipse and then, the following night, dance the night away in a rock quarry (sometimes used for local music festivals) as redesigned by the van Wycks and their team.

There were: multiple musical acts, plentiful pans of paella, contortionists, a replication of the Nile, a full-scale pyramid, a singer who sang “Walk Like an Egyptian,” another who sang “Total Eclipse of the Heart,” several dj sets, lots of gold-dusted bare abs and must-be-seen-to-be-believed laser-mapped animation projected on the surfaces of rock boulders.

In a lot of ways, it felt like walking on to a movie or stage set. “The guests are the actors in the show,” explained Bronson “We create the mise en scene, and we give them the stage directions. And then there’s that amazing moment when it stops becoming my party, and the guests become the party.”

In January of this year, Bronson read that Ibiza would be the best place to see the totality of the Eclipse. So he texted five or six people suggesting they throw a party around it. “None of them bit, and I thought, Somebody has to do it,” he said. So he suggested his sister use it as the backdrop for her birthday. “Throwing parties is like the love language in our family,” Bronson explained.

What made it so exciting for the Van Wycks was that, this time, they were their own clients. “There wasn’t anyone to say no,” he said. “There wasn’t anyone to say, ‘This idea is too wacky.’ It was just the art. It was just the creative. What we typically do is very collaborative. It’s a lot of listening and adapting somebody else’s vision, and this was a pure implementation of our own.”

“Throwing a party is my favorite thing to do,” he continued. “I was up until 4:30 in the morning last night planning parties I don’t have clients for.”

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The premise feels particularly timely. As wellness moves beyond the gym and into every aspect of daily life, what we eat has become part of a larger conversation about longevity, immunity, hormones and overall vitality. Laroot has responded by creating tailored nutrition protocols addressing specific areas including longevity, fertility, postpartum, autoimmune concerns, hormone balance and oncology. Its approach is guided by medical advisors spanning both Eastern and Western traditions.

Among those advisors are registered dietitian Maya Feller, who focuses on immunity and hormonal balance, longevity specialist Dr. Amanda Kahn, Ayurvedic physician Dr. Avilochan Singh and Traditional Chinese Medicine women’s health specialist Naria Diaz Chi. The team also includes specialists in postpartum and fertility, autoimmune health and oncology.

The food itself is central to the experience. Laroot emphasizes heritage dishes and globally rooted cooking rather than treating wellness as a reason to strip food of its character. Ayurvedic spices and local ingredients, for example, are incorporated into recipes with the intention of bringing traditional nutritional knowledge to the modern table. As Ayurvedic doctor Nidhi Bhanshali Pandya puts it, the spices and local ingredients give each dish the power of Ayurvedic knowledge.

The company’s positioning has already earned recognition beyond the wellness world: Laroot World is a 2026 Slow Food Snail of Approval Awardee, an accolade that underscores its connection to quality food and thoughtful sourcing. Ultimately, Laroot is tapping into a shift in the way we think about wellness. The next generation of healthy eating may have less to do with restriction and more to do with intention: food that tastes good, comes from longstanding culinary traditions and is thoughtfully considered for the way it can support the body.

A Laroot World Delivery

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The evening marked the launch of Hublot and Koons’ multifaceted collaboration introducing the: Classic Fusion Balloon Dog Collection and the MP-14 Origin by Jeff Koons. Together, these new collections merge Koons’ artistic vision with Hublot’s distinctive watchmaking expertise. The Classic Fusion Balloon Dog reimagines Koons’ iconic Balloon Dog through Hublot’s signature design language, while the MP-14 Origin brings his distinctive and thought-provoking aesthetic to an exceptional horological creation, further connecting contemporary art to fine watchmaking.

Guests experienced the new collaboration within a striking, immersive environment, where soaring white walls were illuminated by animated projections of Koons’ emblematic “Balloon Dog” sculptures. The dynamic setting brought the Jeff Koons artistic world to life. Meanwhile, the MP-14 was presented in a more intimate, dramatically lit showcase, where artful light projections accentuated the wonders of the universe and highlighted the intricate details and craftsmanship of each elaborate technical element of the special timepiece design.

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Beloved by a certain breed of leading man—Glen Powell, Michael Fassbender, Leonardo DiCaprio, Andrew Garfield—Thom Sweeney has built its reputation on a deceptively simple idea: tailoring that meets men where they actually live. Not in theory, not in tradition for tradition’s sake, but in motion across work, travel, weekends and everything in between.

The brand’s origins are pure Savile Row. Founders Whiddett and Luke Sweeney met in 2003 at Timothy Everest, where Whiddett served as head cutter and Sweeney ran made-to-measure. Their training instilled the rigor of traditional British tailoring, but their instincts pushed them toward a softer, more fluid silhouette that reflected how men were beginning to dress. By 2009, they had opened their first permanent store and the proposition was clear: the precision of Savile Row, recalibrated for modern life.

That recalibration is most evident in the clothes themselves. Thom Sweeney’s house style—natural shoulder, clean lines, ease through the body—rejects stiffness in favor of movement. It’s tailoring that doesn’t announce itself so much as it integrates, whether in a sharply cut suit, a louche linen shirt or the kind of knitwear that quietly upgrades an entire wardrobe. The offering now spans everything from formal tailoring to knitwear, loungewear, accessories and shoes.

Bespoke tailoring is crafted entirely from scratch, beginning with an individual paper pattern created for each client. Each bespoke suit requires up to 80 hours of meticulous handwork. Every garment is shaped by five pairs of hands: cutters, tailors and finishers using several thousand hand stitches. The process is overseen by head cutter Max Whitaker. The Savile Row–trained Whitaker will now take up permanent residence at the Madison Avenue flagship, anchoring its bespoke program and reinforcing what has always set Thom Sweeney apart: a commitment not just to product, but to process. Clients move through a series of fittings over eight to 10 weeks, the suit evolving incrementally toward something that feels less like clothing and more like a second skin. Even the made-to-measure offering, produced in specialist Italian workshops, carries a similar attention to nuance, using proprietary fitting garments to map the body in detail. “This is the most important opening of Thom Sweeney’s career to date,” says Sweeney. “It is not only a significant moment for us as a company, but one we believe matters for British tailoring more broadly.”

Which is where the new store takes an unexpected turn. Because if tailoring is the foundation, hospitality is the atmosphere. At the center of the space sits Sol’s, a cocktail bar and lounge that feels less like a retail add-on and more like a private club slipped discreetly into the back of the room. Named for Sweeney’s father-in-law Sol Kerzner, the legendary hotelier behind Sun International, Atlantis Resorts and One&Only, the result is a space that blurs the line between shop and social hub. Clients might come in for a fitting and stay for a drink. Or come for a drink and, eventually, a suit. “We’ve put a great deal of thought and care into creating a space that feels homey,” says Whiddett. “We always want our clients to feel at ease, welcomed and inspired when they walk in!”

In a retail landscape increasingly defined by speed and scale, Thom Sweeney’s Madison Avenue flagship offers something slower, more deliberate. A place where clothes are made with patience, and where the act of buying them feels less transactional than personal. Less like shopping, in other words, and more like belonging.

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The setting comes with its own history. Surrounded by gardens in Attard, Corinthia Palace began life as a private villa and later became the Pisani family’s restaurant before opening as the first Corinthia hotel in 1968. Directly across from San Anton Palace and its gardens, the hotel feels surprisingly removed from the bustle despite its central location, with Valletta, Mdina and Malta’s Mediterranean beaches all within easy reach.

A signature suite

DuJour spoke with Alexandra Pisani, the hotel’s general manager, to learn more about the property and the room guests request again and again.

What is the most requested room at the property?

Our Grand Suites particularly those overlooking the hotel’s gardens. Room 219 located on the second floor is a particular favorite.

What makes it so special?

I think it’s the combination of space, light and the view. Corinthia Palace is surrounded by gardens, which is quite unusual for a hotel in Malta, and from this room you really feel that sense of greenery and calm. It also feels residential rather than overly “hotel-like,” which is something our guests increasingly value. It has a wonderful sense of privacy while still feeling very connected to the life of the Palace.

What is the nightly rate for this suite?

Around €1500

Caprice lounge

What is an interesting tidbit about the hotel that speaks to its status as an iconic property?

Corinthia Palace is where the Corinthia story began. My father opened the property in 1968, transforming what had originally been a private villa into the first Corinthia hotel. From this one property in Malta, Corinthia grew into an international hotel brand. There is something very special about the fact that, more than half a century later, the original Palace remains at the heart of the company.

What is your personal favorite room, and why?

Room 205. I tend to be drawn to rooms that feel less like hotel rooms and more like somewhere you could genuinely live. For me, it’s less about having the largest room and more about the feeling of the space, the light, the outlook, the proportions and that sense of being tucked away within the Palace.

What is a special perk or amenity the hotel offers that most guests may not know about?

One of the things we are increasingly focused on at Corinthia Palace is creating opportunities for guests to reconnect with themselves. Travel can often become about doing more, seeing more, experiencing more, filling every moment- but we are interested in creating space for the opposite. Through our wellness experiences, gardens and the quieter rituals we are introducing throughout the hotel, we want to encourage guests to slow down, tune into how they are feeling and simply be present. To me, true luxury is increasingly about how a place makes you feel, and whether you leave feeling a little more connected to yourself than when you arrived.

Bahia restaurant

What is your favorite design element on the property?

Villa Corinthia itself. I love that the original building remains such an important part of the hotel. You can feel its history in the architecture and proportions, and I think that gives the Palace a soul that would be very difficult to recreate today. I’m always more interested in spaces that have evolved over time than spaces that feel too perfect.

How about one more fun fact about the property?

The hotel sits directly opposite San Anton Palace, the official residence of the President of Malta, and beside the San Anton Gardens. So despite being only a short distance from Valletta, you wake up surrounded by mature gardens, birds and greenery. It gives the Palace a rather unexpected sense of escape

The post Room Request! Corinthia Palace Malta appeared first on DuJour.

The appeal is as much about independence as it is about safety. Parents control approved contacts, quiet hours and call history through a companion app, while the phone operates on a private network that allows only authorized callers to connect. Emergency calling to 911 is included, too. The concept has caught on quickly. Over the past year, Tin Can has sold hundreds of thousands of devices across the U.S. and Canada, largely through word of mouth, building a growing community of families looking for a middle ground between a traditional phone and a smartphone. Pre-orders expanded to the U.K., Australia and New Zealand in May, with international shipping expected to begin in late November.

Even more interesting is the way families are adopting the phones together. Tin Can recently introduced Tin Can Communities, a program designed for schools, sports teams, camps and neighborhoods to adopt the devices collectively. The thinking is simple: If a group of kids has Tin Cans, there are more people to call—and parents may feel more comfortable delaying the smartphone years a little longer. The phone itself costs $100 and comes in four suitably playful shades. Calling between Tin Cans is free with the Tin Can 2 Tin Can plan. For $9.99 a month, the optional Party Line Plan allows children to call approved traditional phone numbers, making it easy to keep in touch with grandparents, family friends and other grown-ups. It may sound like a throwback, but that is precisely the point. In an era when childhood is increasingly mediated by screens, Tin Can makes a surprisingly persuasive case for something wonderfully uncomplicated: giving kids a phone without giving them a smartphone.

The Tin Can

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A Comfy room

DuJour spoke to Shaun Bowles, the property’s general manager, to learn more.

What’s the most requested room at the property?

Our Cosy Rooms, but if I had to single out one room, it would be our John Wood Suite overlooking Queen Square.

What makes it so special?

With beautiful floor-to-ceiling windows and approximately 29 square meters of space, it’s a wonderful room for guests who want to make a little more of their stay in Bath. There’s a huge emperor bed, a sofa bed with space for up to four guests and large windows that give you a real connection to the city outside.

What is the nightly rate for this suite?

From £298, which includes a complimentary 45-minute ESPURO Thermal Experience for two.

Francis Hotel Spa

What’s an interesting tidbit about the hotel that speaks to its status as an icon?

Bath is rich in history and was famous well before the Bridgerton production began. Yes, Bath is where most of Netflix’s Bridgerton is filmed but that’s not our most exciting tidbit. No. 9 Queen Square was designed and built by John Wood the Elder, the architect who shaped Georgian Bath. He lived in our building with his family and then went on to design the Circus. His son took inspiration from his father’s designs to create the Royal Crescent. So, you could say Bath’s rich heritage and legacy was created right in our building. The Francis began welcoming guests in 1858, when local builder Solomon Francis bought No. 10 and opened it as a lodging and boarding house.

What’s your personal favorite room? Why?

Room 25, although more for sentimental reasons. It was the first completed room of the refurbishment and the first time we saw the concept come to life. It matched our vision perfectly: warm, elegant, calm and comfortable, with great lighting and everything in its place.

What special perk or amenity do you offer that no one knows about?

Our guests really love our Francis tote bag, which is there for guests to use while exploring Bath. You can take it home afterwards too. Inside, we include our own shopping list of brilliant independent shops, makers, and places to eat and drink around the city. We work with a few of them too, so Francis guests might find there’s a little something extra waiting for them when they visit.

Emberwood restaurant

What’s your favorite design element on property?

It has to be the spa. The space used to be meeting rooms, so the transformation is quite significant. The whole spa feels incredibly peaceful and smells wonderful. My favourite spot in the hotel is the relaxation lounge, where the natural light changes beautifully throughout the day. The team knows that if I need ten minutes to gather my thoughts, there’s a good chance they’ll find me there.

How about one more fun fact about the property?

Our British brasserie, Emberwood, found its name and identity in the history of the hotel. One of the townhouses was once home to a match manufacturer, while another was built and lived in by John Wood the Elder. Bring those stories together with the centrepiece of the restaurant, our open-fire hearth, and Emberwood was born. Today, that fire is very much part of the experience. Expect locally sourced, seasonal produce given a touch of the hearth wherever it works best, alongside a crafted cocktail list with some brilliant no-and low-alcohol options. There’s a little theatre while you eat too, with the chefs cooking over the open fire at the heart of the restaurant.

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Yarrow Spa at Hotel Jerome Aspen

In partnership with the Wheeler Opera House, Hotel Jerome recently debuted a three-course pre-theater menu at Prospect, thoughtfully timed for Aspen’s evening performances. Offered daily, the menu highlights seasonal ingredients and the inventive mountain cuisine that earned Prospect its Michelin Guide recommendation. Designed for a seamless transition from dinner to showtime, the pre-theater menu provides guests with an elegant prelude to an unforgettable night in Aspen.

Prospect restaurant at Hotel Jerome Aspen

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Over the years, the Julien Farel salon has become a familiar fixture for tennis’s elite, with past clients including Coco Gauff, Aryna Sabalenka, Naomi Osaka, Rafael Nadal and Novak Djokovic, among others. The appeal is simple: players have little time to leave the tournament grounds for grooming, making the on-site salon a particularly chic convenience. “Our on-site salon offers top New York City luxury pampering services so players can look their best on the court,” Farel says.

This year, the experience extends beyond hair. Farel’s signature shampoo, conditioner, body wash and body cream will be available at the pop-up, while nail services will use shades from the Hermès nail polish collection. The U.S. Open outpost arrives at an especially busy moment for the brand, following the opening of Farel’s new Southampton Village salon this summer. Its flagship location inside the Loews Regency New York remains a 10,000-square-foot beauty and wellness destination, while a Palm Beach location sits on Via Flagler by The Breakers. For the players, it’s one more advantage in a tournament where every detail counts. A fresh blowout, immaculate manicure or perfectly polished braid may not win the match—but it certainly doesn’t hurt when the cameras are waiting.

Julien Farel at the US Open

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“It’s all I really cared about,” says Scott, in a conversation on a day off from filming his hit Apple TV series Severance. “De Niro is so fundamental to why I wanted to be an actor in the first place, to what I’m doing and why I’m doing it.”

So, to play opposite the 83-year-old De Niro—as his estranged son, no less—in the new Netflix film The Whisper Man, well, for the 53-year-old Scott, it was a career highlight.

“Being there on set with him was so special, really inspiring to see him working so hard, to make it as good as it could possibly be,” says Scott, who found De Niro to be a “sweet person and a cool guy.”

Scott didn’t talk about his longtime admiration for De Niro during their days on set together in New Jersey. “No, no, no, no way,” says Scott. “I don’t know how that would help us. I wouldn’t want to cheapen anything and make him uncomfortable. I didn’t want to bring that element into it. Maybe it would embarrass him. Still, if you’re working with someone who’s fundamental to why you’re doing what you’re doing, you’re going to learn from that person. It was incredible.”

Based on the novel by Alex North and directed by James Ashcroft, The Whisper Man has shades of Silence of the Lambs. Scott plays Tom Kennedy, a widowed crime writer who moves to a quiet town only for his son to be abducted. Michelle Monaghan is the detective assigned to the case. De Niro plays Scott’s father, a retired police detective with the key to unlocking the identity of a mysterious serial killer, the so-called “Whisper Man.”

Scott, who remains an unequivocal movie buff—he watched Raiders of the Lost Ark four times during the week before our interview—was a big fan of Ashcroft’s 2021 film Coming Home in the Dark and reached out to the filmmaker. “I’d watched it a couple of times, and I just had to talk to him,” Scott says. Then The Whisper Man came up. “I thought it was a really good and disturbing script, and I thought through James’ lens, it could be something really special.” Indeed, somehow Ashcroft will make you shudder the next time you stir a pot of macaroni and cheese.

“I was a fan of Adam’s comedic work over the years,” says Ashcroft. “It’s often the case that an actor with strong comedic instincts has equally strong dramatic intuitions. I think viewers will relish seeing Adam continue to flex those dramatic muscles in this film.”

Of course, there was the added bonus of getting to work with his idol, De Niro. “Well, that’s a lifelong thing, at least for this actor,” Scott says.

“We definitely bonded over getting over to work with Bob,” explains Monaghan. “We have immense respect for him, and, I think, on Day One, we both looked at each other in disbelief and said, ‘Can you believe we’re here?’ I’m so grateful to have shared that experience with Adam, a wonderful person who was just as appreciative and awestruck as I was. Adam is simply who he is. Pure gold. No pretense.”

Despite the macabre subject matter, “the tone on set was light, and it was a fun project to work on,” Scott recalls. “Hopefully, no matter what you’re making, it can be a fun experience and you try not to get weighed down by what’s serious or scary.

Scott always intended to work in drama. “In acting school, I was dead set on being a serious actor. That’s always what I saw for myself, and when I first started out, I took myself very seriously,” he explains. But a role in the 2008 comedy Step Brothers changed that. “I watched Will Ferrell and John C. Reilly and Adam McKay. They’d throw everything against the wall to see what sticks. That was a revolutionary way of working for me—the improvisation and the lack of rules. I really connected with that, and I felt that I never wanted to go back,” Scott recalls.

Shortly afterward, he appeared in the sitcoms Party Down and Parks and Recreation, finding traction in the world of funny. “That’s when I finally realized, This is what a career is. I found a certain freedom in my work. There’s a lack of rules with comedy.”

Scott landed the Step Brothers role 13 years after leaving acting school, and despite the long wait for a big break, “it’s fortunate the way that it happened. If I’d gotten Scream or Scream 2 or I Know What You Did Last Summer, all of which I auditioned for when I was around 20, I wouldn’t have been able to handle the attention. I wasn’t good enough to turn it into something.”

After Parks ended, Scott strove to be considered for dramatic roles again. “I fought for Big Little Lies,” he says, securing the role of Reese Witherspoon’s husband in the 2017 HBO drama. “That really helped show that I could do something else. I doubt I would have been able to land Severance without it.”

Severance has turned out to be a phenomenon, acclaimed by audiences and critics alike. “I don’t know if we’ll ever know exactly why,” says Scott. “We knew we all loved it, but we figured it was maybe too weird.”

When the show premiered, in 2022, “we were all emerging from the pandemic, and people were reassessing their relationship to work,” says Scott. “It didn’t look or feel like anything else, but for whatever reason, it was connecting.”

It’s been some time since season two wrapped, “so we were all anxious to get back [for season three]. It’s a show that requires so much focus emotionally and physically. It’s an all-encompassing project. It’s a hyperspecific tone, and it just takes all of you to make it. It’s a huge challenge, but that’s why it’s so fun. We have a blast.”

Making Severance takes Scott away from his family in Los Angeles, his least favorite part of filming in New York. “After years of working constantly, for which I’m super grateful, it’s also important to understand the power of no, to know what it is you really want to spend your time doing and spend time with your family.” When his teenage kids with wife, producer Naomi Scott, come East, “that’s when we go out and do New York things.”

Left to his own devices, Scott spends his weekends recovering from the stress of work, which often includes watching tons of movies and television. “It’s kind of my favorite thing to do,” Scott says. “For me, an iPad is still a magical device.”

It reminds him of his teenage years when movies were “all I thought about and all I cared about.” He watched so much that he broke the VCR in his room and his dad had to buy him a new one. “It just stopped working,” Scott recalls. “I wonder if anyone’s ever worn out a VCR.”

At 16, in between bedroom film festivals, Scott played the role of 60-year-old Joe Keller in his high school’s production of Arthur Miller’s All My Sons. Yes, it was a big reach for a teenager, and there was something silly about how seriously they all took it. Occasionally, Scott’s bald cap would fall off. But he still recalls the one performance where it all just became magical.

“I was in that place of everything clicking and all I could think was, This is what it’s supposed to be and this is all I want to do,” Scott recalls. “I’ve been chasing that feeling ever since.”

Groomer: Rheanne White using Oribe
Production Design: Matthias Heumeier
Photo Assistants: Sydney Fisher and Eric Hodgman
Styling Assistant: Amber Adams
Production Assistant: Ellen McEvoy
Photographed on location at Corner Studio in New York City

The post The Great Adam Scott appeared first on DuJour.

Camp pickup is its own particular form of chaos. Duffel bags somehow seem twice the size they were at drop-off, along with sleeping bags, laundry and a collection of art projects whose origins are best left unexplored. The airport pickup lane can be equally hectic, but the QX80’s available camera views made navigating traffic and pulling up to the curb easier. Its ample cargo space swallowed everything with room to spare, while the available air suspension lowered the rear of the SUV for easier loading — a particularly welcome feature when the cargo is essentially a season’s worth of camp life. Once everyone was settled into the second row, the boys were sunburned, tired and talking at full speed. Tri-zone climate control allowed everyone to find their preferred temperature while Biometric Cooling sensed where passengers were sitting and directed cool air accordingly. On a 90-degree afternoon, it was one of those seemingly small details that quickly became indispensable.

The same could be said for the abundance of charging options. USB-C ports throughout the cabin and a 120V outlet kept phones and other devices powered for the trip home and the weekend ahead. In a family car, these are hardly frivolous extras. They are the infrastructure of modern life. But it was on the highway that the QX80 truly won me over. After two hours of waiting at pickup, the massaging front seats were a welcome indulgence. ProPILOT Assist 2.1 helped ease the strain of stop-and-go traffic, leaving me more relaxed and able to concentrate on the conversation unfolding in the cabin.

The entertainment system was equally impressive. A 24-speaker Klipsch Reference Premiere audio system with an 8-inch subwoofer transformed the camp playlist into something approaching a private concert. Individual Audio allowed me to hear navigation directions from my seat without interrupting the boys’ music or their increasingly elaborate stories. Meanwhile, 64 colors of ambient lighting gave the cabin a calm, considered atmosphere as the afternoon turned to evening.

By the time we pulled into the driveway, the sun was setting, catching the QX80 Sport’s sculpted lines and dark chrome trim. After a long day of airport traffic, oversized duffel bags and the particular exhaustion of family logistics, the drive had somehow felt less like an errand and more like part of the experience. That may be the greatest luxury of all. The best luxury doesn’t necessarily take you away from everyday life. It makes everyday life feel a little more exceptional. The QX80 Sport does just that, bringing comfort, technology and a sense of calm to the miles that make up family life.

The interior of the 2027 Infiniti QX80 Sport

The post The SUV For Real Life appeared first on DuJour.

Nos dias de hoje, a tecnologia está em constante evolução e, com isso, surgem diversas ferramentas que prometem facilitar nossa vida. Uma dessas ferramentas é a blaze app, uma plataforma que se destaca pela variedade de funcionalidades que oferece aos usuários. Neste artigo, vamos explorar como essa aplicação pode ser vantajosa e como utilizá-la da melhor maneira possível.

O Que é a Blaze App?

A blaze app é uma aplicação projetada para otimizar diversas atividades diárias. Seja para gerenciar tarefas, organizar finanças ou até mesmo para entretenimento, a versatilidade dessa ferramenta a torna uma escolha popular entre usuários de todas as idades. Com uma interface intuitiva e fácil de usar, a Blaze App se adapta às necessidades de cada usuário.

Funcionalidades Principais

Uma das principais razões pelas quais a blaze app é tão apreciada é devido às suas variadas funcionalidades. Veja algumas delas:

• Gerenciamento de Tarefas: Crie listas de tarefas e defina lembretes para não esquecer de nada importante.
• Controle Financeiro: Registre suas despesas e receitas para ter uma visão clara de suas finanças.
• Entretenimento: Acesse jogos e conteúdos de entretenimento diretamente pela aplicação.
• Comunicação: Conecte-se com amigos e familiares através de chats integrados.

Como a Blaze App Pode Facilitar Seu Dia a Dia

Utilizar a blaze app pode trazer inúmeros benefícios para o seu cotidiano. Ao centralizar diversas funções em uma única aplicação, você economiza tempo e aumenta a produtividade. Por exemplo, ao gerenciar suas finanças na mesma plataforma em que organiza suas tarefas, você pode ter uma visão mais clara de suas prioridades diárias.

Além disso, a possibilidade de comunicação dentro da própria aplicação permite que você compartilhe listas de tarefas ou informações financeiras com outras pessoas, facilitando o trabalho em equipe e a colaboração em projetos pessoais.

Dicas para Aproveitar ao Máximo a Blaze App

Para garantir que você esteja aproveitando ao máximo todas as funcionalidades oferecidas pela blaze app, considere as seguintes dicas:

1. Explore as Configurações: Ajuste as preferências da aplicação de acordo com suas necessidades.
2. Use as Notificações: Ative notificações para não perder prazos importantes.
3. Integre com Outros Apps: Conecte a Blaze App com outras ferramentas que você utiliza para um fluxo de trabalho mais eficiente.
4. Mantenha Atualizado: Sempre use a versão mais recente da aplicação para garantir acesso às últimas funcionalidades e melhorias.

Conclusão

A blaze app se apresenta como uma solução completa para quem busca eficiência e praticidade nas tarefas do dia a dia. Com suas diversas funcionalidades e uma interface amigável, a aplicação pode realmente transformar a maneira como você gerencia sua rotina. Experimente hoje mesmo e descubra tudo o que a Blaze App pode fazer por você!

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DuJour spoke with Diego Calvo, Concept Hotels’ founder and owner, to discover what makes it so special.

The pool

What’s the most requested room at the property?

Our Sea View Terrace suites

What makes it so special?

We have eight Sea View Terrace Suites, all located in privileged seafront positions. Guests are drawn to these suites for their spacious private terraces, breathtaking Mediterranean views and seamless indoor-outdoor living. They perfectly capture the relaxed elegance and La Dolce Vita lifestyle that defines the Mongibello experience, making them the ideal choice for those looking to enjoy Ibiza from one of the hotel’s most exclusive settings.

What is the nightly rate for this suite?

From €400

What’s your favorite design element on property?

La Piazzetta is the heart of Mongibello. Inspired by a traditional Italian village square, it enjoys a privileged seafront location overlooking Santa Eulalia Bay and perfectly embodies the hotel’s la dolce vita spirit. As the sun sets, it transforms into one of the property’s most atmospheric spaces, where guests gather to enjoy live music under the stars, Mediterranean cuisine and unforgettable evenings by the sea. Equally special is Lola’s Club, which pays tribute to the legendary Lola’s, widely recognised as the first nightclub in Ibiza. Inspired by the glamour and free spirit of the island’s early nightlife, our version blends vintage aesthetics, intimate lighting and timeless elegance to recreate the magic of that pioneering era. Hidden beneath the hotel, it feels like discovering a secret club and offers a completely different side of the Mongibello experience—one that celebrates Ibiza’s rich cultural and nightlife heritage.

Sorella Ristorante

What’s your personal favorite room? Why?

The Bello Suite. Beyond its spectacular views, I love how it feels both grand and intimate at the same time. Watching the sunrise from its terrace with the bay in front of you is one of those simple luxury moments that perfectly defines the Mongibello experience.

What’s an interesting tidbit about the hotel that speaks to its status as an icon?

Mongibello is much more than a hotel, it is an immersive story inspired by the glamour of the Italian Amalfi coast during the 1960s. Every corner has been designed to evoke the feeling of a sophisticated Mediterranean village, where architecture, music, gastronomy and design come together to create a lifestyle rather than simply a place to stay. It has quickly become one of Ibiza’s most recognizable lifestyle destinations for travelers seeking a more authentic and design-led luxury experience.

How about one more fun fact about the property?

Many guests tell us that staying at Mongibello feels like stepping onto the set of an Italian film. Interestingly, that cinematic atmosphere is exactly what we wanted to create. From the colour palette and vintage details to the carefully selected soundtrack played throughout the hotel, every element has been intentionally designed to transport guests into their own version of La Dolce Vita.

A guest room

The post Room Request! Hotel Mongibello appeared first on DuJour.

O jogo bicho é uma das práticas de apostas mais tradicionais no Brasil, com raízes profundas na cultura popular. Originado no final do século XIX, esse jogo de azar tem atraído a atenção de diversas gerações, tornando-se um símbolo da diversão e da expectativa por prêmios. Neste artigo, exploraremos a história, a legalidade e o impacto social do jogo bicho no Brasil.

A História do Jogo Bicho

O jogo bicho foi criado em 1892 por João Batista Viana Drummond, um empresário que decidiu promover um zoológico no Rio de Janeiro. Para atrair visitantes, Drummond introduziu um jogo de apostas baseado em 25 animais, cada um representando um número. Com o tempo, essa prática evoluiu e se espalhou por todo o país, solidificando sua posição como um dos jogos de azar mais populares entre os brasileiros.

A Evolução do Jogo Bicho

Inicialmente, o jogo bicho era uma forma de entretenimento, mas com a popularização, surgiram diversas variantes e regulamentações. Embora muitas vezes considerado ilegal, o jogo é amplamente aceito e praticado, especialmente em comunidades onde a tradição é forte. Essa contradição entre a legalidade e a aceitação social levanta questões sobre a cultura de apostas no Brasil.

Legalidade e Regulamentação

No Brasil, o jogo bicho é tecnicamente ilegal, mas sua prática continua a ser tolerada por muitos estados. Essa ambiguidade legal faz com que o jogo seja uma área cinzenta em termos de regulamentação. O governo, em muitos casos, luta para implementar leis que possam controlar e regulamentar o jogo de azar, mas a resistência cultural e a popularidade do jogo bicho dificultam essa tarefa.

Impacto Social do Jogo Bicho

O jogo bicho não é apenas uma forma de entretenimento; ele desempenha um papel significativo na vida social e econômica de muitas comunidades. Muitos apostadores utilizam o jogo como uma forma de escapar das dificuldades financeiras, sonhando com prêmios que podem transformar suas vidas. Além disso, o jogo bicho costuma ser uma atividade social, onde amigos se reúnem para apostar e compartilhar histórias.

Aspectos Culturais e Tradições

O jogo bicho é mais do que apenas uma aposta; ele faz parte da identidade cultural brasileira. Festas, eventos e celebrações frequentemente incluem o jogo como uma forma de entretenimento. Os animais representados no jogo também têm significados simbólicos que variam de região para região, refletindo a rica diversidade cultural do Brasil.

Apoio e Críticas

Enquanto muitos defendem a prática do jogo bicho como uma tradição que deve ser preservada, outros levantam preocupações sobre os impactos negativos associados ao jogo de azar, como vícios e problemas financeiros. É fundamental que a discussão sobre o jogo bicho leve em consideração tanto os aspectos culturais quanto os riscos envolvidos.

Considerações Finais

O jogo bicho é uma expressão da cultura brasileira que transcende gerações, mantendo sua popularidade ao longo dos anos. A história rica e as tradições associadas a esse jogo revelam muito sobre a sociedade brasileira, suas alegrias e desafios. Embora a legalidade continue sendo um tema controverso, o jogo bicho se firmou como uma parte importante da identidade nacional, refletindo a complexidade da cultura de apostas no Brasil.

• Tradição que conecta gerações.
• Prática de resistência cultural.
• Desafios da regulamentação.

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Inside, the design follows the same philosophy. Raw concrete, natural light and expansive views give the rooms and suites a distinctly modern Riviera sensibility, while an eclectic collection of art and vintage furnishings adds warmth and personality. The standout new accommodation is the Riviera Suite, a private rooftop residence that feels more like a secluded Mediterranean apartment than a traditional hotel suite. Spanning 135 square meters, it has two bedrooms, two bathrooms and a light-filled living room, along with 125 square meters of landscaped terraces. A private pool and outdoor shower look toward the horizon while a curved concrete wall adds a sculptural element to the otherwise serene space.

One of the hotel’s buildings

Much of the appeal, however, is found beyond the rooms. The hotel’s signature seawater pool appears to dissolve into the Mediterranean, while a heated lap pool offers another place to swim. Guests can head directly from the property onto the water for paddleboarding, kayaking or snorkeling while excursions can extend to sailing, fishing, scuba diving, tennis, golf and even vintage-car drives along the coast. Food is equally rooted in the region. At Estelo, the hotel’s Mediterranean terrace restaurant, Chef Alexandre Baule focuses on seasonal Provençal cooking. For a more relaxed afternoon, La Chicoula sits beneath the pine trees, serving pizzas, salads and cocktails.

DuJour spoke with the property’s general manager, Patrice Lanteri, to discover what makes it so special.

What’s the most requested room at the property?

The Riviera Suite, room 300

What makes it so special?

It offers a completely different experience from a traditional hotel stay. Sitting above the Mediterranean with its own private entrance, the two-bedroom suite feels more like a private Riviera home, with sweeping sea views, a rooftop terrace, a private pool and generous indoor-outdoor living spaces. Guests are drawn to its sense of privacy and exclusivity, as well as its design, which takes inspiration from the modernist architecture of the Côte d’Azur and the surrounding Estérel landscape. It’s the closest you can get to having your own secluded corner of the French Riviera, while still enjoying all the services and facilities of Les Roches Rouges.

Estelo restaurant

What is the nightly rate for this suite?

From €2,600

What’s your favorite design element on property?

The seawater swimming pool. It’s carved directly into the volcanic coastal rock and sits at sea level, so waves occasionally splash over the edge, you’re swimming with the tide rather than beside it. The pool floor is lined with natural sea pebbles rather than tiles, which gives swimmers the feeling of swimming in a cove, while the outer rock barrier has been carefully engineered to protect against strong ocean currents.

What special perk or amenity do you offer that no one knows about?

We place great importance on showcasing the craftsmanship and savoir-faire of our region, thoughtfully selecting local products wherever possible across our rooms, minibars and boutique. Guests will find small touches that tell the story of Saint-Raphaël and its surroundings, every item has been chosen to offer a meaningful connection to the destination.

The hotel grounds

What’s your personal favorite room? Why?

Signature Junior Suite room 506. The Mediterranean is ever-present here, right from the moment you walk in, with a spacious balcony that opens directly onto the water and a separate sitting area for the choice between a king or a double bed. It’s a suite built entirely around comfort and stillness, the kind of room where you let the rhythm of the sea set the pace for the day.

What’s an interesting tidbit about the hotel that speaks to its status as an icon?

The original building dates back to the 1950s—right around the time the term “jet set” was first coined—making Les Roches Rouges a contemporary of the very era that put the French Riviera on the map. The hotel was reimagined by Parisian design duo Festen, who stripped back decades of eighties-era renovations to reveal the building’s original modernist bones, drawing inspiration from Eileen Gray’s iconic E-1027 villa. It’s a rare case of a hotel that’s both historic and a true design icon in its own right.

How about one more fun fact about the property?

The hotel extension we unveiled last year was previously an abandoned car park before its transformation. It was completely renovated by Antoine Ricardou and his team at ASL, turning it into one of the most beautiful and unique parts of the hotel. It’s my favorite hotel secret to share, guests are always shocked to learn what it used to be.

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Owned by the boutique hospitality brand Beaumier, the luxury retreat embraces a softer, more authentic vision of Provence. Rather than recreating the region through clichés, architects Paula Alvarez de Toledo and Marine Delaloy of Jaune looked to its landscape and history, layering limestone, terracotta, wood and lime plaster into interiors that feel timeless yet unmistakably contemporary. Outside, olive trees, almond trees, rosemary and lavender spill across gardens designed to blend seamlessly into the surrounding countryside, while works by regional artists reinforce a deep connection to place.

A deluxe guest room

The guest rooms continue that understated approach. Warm, spacious and filled with natural light, they prioritize simplicity over excess, allowing the scenery outside to become the focal point. Whether overlooking the hills or tucked among the gardens, each room feels like a private retreat from the bustle of everyday life.
Food is equally central to the experience. At the Michelin-starred La Bastide, chef Noël Bérard celebrates the Luberon through an ingredient-driven menu that pairs local produce with inventive technique. Sisteron lamb, black olives, bottarga and seasonal vegetables arrive in dishes that are rooted in Provence yet anything but predictable. Across the property, La Bergerie offers a more relaxed counterpart, where wood-fired meats, generous sharing plates and long lunches on the terrace unfold against sweeping views of Bonnieux. The spa offers treatments from Biologique Recherche alongside clean beauty brands curated by Oh My Cream, while Roman and cryotherapy baths, a hammam and tranquil treatment rooms encourage guests to embrace a slower rhythm. Outside, two pools provide different moods: one overlooking fragrant lavender fields and another 25-meter heated lap pool tucked into the gardens for leisurely swims beneath the Provençal sun. And with daily ice cream hour at 4pm by the pool, there is always something cool to look forward to in the hot summer months.

DuJour spoke with the property’s general manager, Emmanuel Mikhail, to discover what makes it so special.

Lavender fields at Capelongue Gaëlle Rapp Tronquit

What’s the most requested room at the property?

One of our Deluxe Terrace Rooms, particularly Room 303.

What makes it so special?

It’s one of our newest rooms, offering generous proportions and a private terrace directly facing our lap pool, one of the property’s two swimming pools.

What is the nightly rate for this suite?

€400 to €800

What’s your favorite design element on property?

The village square, with its fountain and centuries-old olive tree leading to La Bastide, our Michelin-starred restaurant. It offers a truly immersive taste of Provence.

The lap pool, one of two pools

What special perk or amenity do you offer that no one knows about?

Our dedicated guest app. It brings together everything guests need during their stay, from the hotel’s activities and curated experiences to our favorite local restaurants, villages, and regional escapes, all thoughtfully selected by our team.

What’s your personal favorite room? Why?

The Pigeonnier, our Signature Suite. It perfectly embodies the region’s architecture, heritage and the history of the property.

What sets the property apart?

Capelongue sits at an altitude of approximately 450 meters. Set across five hectares overlooking the village, the estate feels like a secluded haven, tucked away above Bonnieux.

How about one more fun fact about the property?

We actually relocated one of our restaurants, La Bergerie. It was originally situated elsewhere on the estate but was moved to its current location so guests could enjoy the property’s most spectacular views over Bonnieux, as well as the sunset.

La Bastide restaurant

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DuJour spoke with Marie Bouthier, the property’s PR and communication manager, to learn more about what makes it special.

Zannier Île de Bendor

What is the most requested room at the property?

The Delos Junior Suites

What makes it so special?

Located on the third and fourth floors of the Delos building, these 40-to-45-square- meter havens are prized for their retro chic style. Guests are consistently captivated by its breathtaking, unobstructed views of the Mediterranean Sea. It perfectly encapsulates the timeless glamour of the Côte d’Azur while offering an intimate, elevated
perch. Its position on the 4th floor ensures that the shifting colors of the sea are always your personal backdrop, a seamless blend of classic coastal elegance and modern luxury.

What is the nightly rate for this room?

From €2,100 (which includes breakfast and unlimited boat transfers to and from the port in Bandol)

The outdoor pool at the Rēsonance Wellness Centre

What’s an interesting tidbit about the hotel that speaks to its status as an icon?

The soul of the property lies in the historic legacy, now elevated by the renowned hospitality expertise of Zannier Hotels. This collaboration has breathed new life into the estate, marries unique architectural heritage with understated luxury, and firmly establishes the property as a timeless icon of the region. The island’s founder, Paul Ricard, hosted notables like Salvador Dalí, Brigitte Bardot and Josephine Baker on the island.

What is your personal favorite room and why?

Room 24, the Solea Suite, on the Southeast side of the island is an absolute gem. Its spectacular , 22-square-meter private terrace offers a stunning perspective: the endless blue of the sea on one sideand the surrounding pine forest on the other. It’s the ultimate private sanctuary. The bathroom is equally stunning, with its own small balcony offering one of the most beautiful views on the property.

A Soukana Terrace Junior suite

What special perk or amenity do you offer that no one knows about?

Our property is designed around three distinct universes, and we curate our amenities to match the specific spirit of each. Guests staying in the Delos experience enjoy a cocktail kit, while those in the Soukana universe are welcomed with yoga mats and weights for their practice. All our rooms feature Mēditatif bath amenities, that we are the first hotel to feature.

What’s your favorite design element on property?

The most remarkable feat is how three completely different design universes blend seamlessly into the landscape. All of it was brought to life by Zannier Design Studio, whose team traveled across every corner of France, scouring flea markets, antique fairs and small local dealers to find unique pieces, each with their own story to tell. Delos enchants with its vibrant, nostalgic charm: orange parasols and sunbeds, decorative boats, a DJ booth and striking artwork by Tiffany Bouelle. Soukana embraces a serene wabi-sabi aesthetic, signature to Zannier Hotels, adorned with exquisite antiques sourced from across Asia, including a striking reception table, rustic benches, and weathered vases. The Madrague Houses capture the charm of Provence through perfectly curated details.

How about one more fun fact about the property?

When Paul Ricard originally bought the island, it had only one solitary inhabitant: a single sheep. In a charming nod to this history, we’ve officially adopted Edmond le
Mouton, a delightful creation from the children’s brand, Tartine et Chocolat, as our beloved hotel mascot.

Nonna Bazaar restaurant

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Available around the clock through the Wheely app, the service operates throughout Manhattan, parts of Brooklyn and Queens and all major New York airports. Riders can book immediately or schedule journeys in advance, with upfront pricing displayed before confirming a reservation. What sets Wheely apart isn’t just the fleet but the experience behind the wheel. Every chauffeur completes the company’s in-house academy training, emphasizing polished service, local knowledge and meticulous attention to detail. The result feels closer to a private chauffeur than a standard car service.

“It is something the New York market has not had before: a hospitality-led, privacy-first black car and chauffeur service built around unrivaled consistency,” says Chirkunov. “No other service in the market has true privacy as a core principle, where passengers can have full confidence to conduct calls or hold sensitive meetings while traveling. Because Wheely controls the full service experience directly, we set and uphold the standard at every touchpoint, from driving standards to vehicle presentation. Our chauffeurs go through the Wheely Chauffeur Academy, an elite coaching program verified by the CPD Certification Service covering etiquette, situational awareness and first aid. We are different from platforms which rely on third-party fleets with limited oversight of what happens between booking and arrival.”

For those seeking the highest level of comfort, First Class journeys are offered in the latest long-wheelbase Mercedes-Benz S-Class, while Business Class features spacious Cadillac Escalade ESV SUVs designed for executive travel and airport transfers. Frequent riders unlock additional perks through Wheely Membership, including services such as Chauffeur for a Day and a dedicated concierge, adding another layer of personalization to the experience. As luxury travelers increasingly expect seamless service from departure to arrival, Wheely’s New York debut arrives at the right moment. It’s less about getting from point A to point B and more about making the journey feel every bit as considered as the destination.

A Wheely-chauffeured Mercedes-Benz S-Class

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The newest ship in the fleet is the brand’s first powered by liquefied natural gas and its most spatially generous yet. At 63 feet longer than its sister ships, Explora III has been designed to heighten a sense of openness throughout every deck. Public areas now offer 210 square feet of space per guest, supported by a near one-to-one host-to-guest ratio that keeps service highly personal and quietly attentive. The effect is less that of a cruise ship and more a floating contemporary hotel where time feels unstructured and intentionally unhurried.

Accommodations continue that same philosophy of ease and proportion. The ship features 461 oceanfront accommodations, each designed with a residential sensibility that favors scale, light and privacy. Among the most distinctive is a second Owner’s Residence designed by Patricia Urquiola and spanning approximately 3,000 square feet. It opens onto an expansive aft wraparound terrace with uninterrupted sea views, a private outdoor infinity whirlpool, a marble bathroom and an in-suite steam room that together create a secluded world suspended above the water.

Life on board is shaped by the sea and expressed through wellness at every turn. The Conservatory Pool & Bar becomes a central gathering point beneath a retractable glass roof with a 48-foot all-weather pool that shifts the mood from sunlit retreat by day to silent cinema beneath the stars at night. Across the ship, guests will find three additional heated outdoor pools, including an adults-only space, along with 60 private cabanas that extend the feeling of privacy into open air.

At the spa, treatments draw inspiration from the rhythms and textures of the ocean. The experience is designed for restoration rather than spectacle with new offerings such as the Sava Sound Pod, which uses calibrated sound frequencies and vibration to encourage deep relaxation. The fitness program is equally expansive, with Technogym and Pilates reformer equipment, private training studios and an open air fitness deck positioned to keep the horizon in view. Outside, movement continues across an extended running track and a multi-use sports court designed for padel, pickleball and basketball.

Dining reflects a global sensibility anchored in quality and atmosphere rather than formality. Signature venues include Med Yacht Club with its coastal Mediterranean influence, Fil Rouge with French-inspired refinement, Marble & Co. Grill focused on premium cuts and Sakura with its contemporary Pan-Asian focus. New and reimagined experiences expand the rhythm of dining at sea; the Chef’s Kitchen offers intimate private dining, while Chef’s Table by Explora Journeys introduces bespoke menus created for a handful of guests at a time. Anthology elevates Italian tasting menus into a curated experience, while Emporium Marketplace brings a more relaxed, light-filled approach to international dining. Shore Club on 11 adds a beach club spirit to the upper decks and completes the ship’s varied culinary landscape.

Evenings unfold across 12 bars and lounges designed for different moods and moments. Guests can move from The Malt Whisky Bar to an outdoor cigar lounge or settle into The Cellar by Explora Journeys, where expert sommeliers guide tastings across classic and emerging wine regions.

For families, the ship introduces a more considered approach to multigenerational travel. The Nautilus Club is reimagined into two dedicated spaces that reflect different stages of childhood. Nautilus Club Juniors welcomes children ages 3 to 11 with supervised daily programming, while Nautilus Club Teens offers a dynamic environment for guests ages 12 to 17 with activities designed to balance independence and engagement. Together, they allow families to share the journey while still preserving individual space and experience.

As luxury travel continues to shift toward privacy, wellness and emotional connection, Explora III positions itself firmly within that evolution. It is a ship built not around spectacle but around space and stillness, where the ocean becomes the defining backdrop to a more intentional way of traveling. explorajourneys.com

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The village itself dates to the 19th century, when the Tudor Gothic cottages were rebuilt in local Cotswold stone for estate workers. Today, they’ve been meticulously restored while preserving their original character. Behind the historic facades are warm, understated interiors layered with natural linens, handcrafted furniture, wood-burning fireplaces and fully equipped kitchens that encourage guests to linger rather than rush off sightseeing. Some cottages are perfect for couples while larger homes welcome families or groups.

Daylesford Village

One of the greatest luxuries is that there’s almost no need to get back in the car. Mornings begin with a walk to the Daylesford Farm Shop where baskets overflow with vegetables harvested just beyond the village, artisan cheeses, breads fresh from the bakery, fresh juices and prepared foods that have made it a pilgrimage food lovers. Guests can book a cooking class, stroll through the market gardens or head out on walks that weave across the surrounding countryside. The Bamford Wellness Spa remains one of the estate’s biggest draws, pairing holistic treatments with yoga, Pilates and meditation in tranquil surroundings inspired by nature.

This year, Daylesford opened The Club by Bamford, an expansive private wellness club set within the estate’s 3,500 acres. A light-filled gym overlooks the countryside, while a 25-meter indoor pool faces an orchard. Outdoor training spaces, padel courts, movement classes, cryotherapy, infrared saunas, cold plunges and science-led health assessments complement the estate’s existing spa offerings.

The pool at the Bamford Wellness Spa

Food, unsurprisingly, remains at the center of the experience. The Club’s restaurant, The Nest, serves seasonal menus built around produce grown on the farm, reinforcing Daylesford’s decades-long commitment to organic agriculture and local sourcing. XXXX

DuJour spoke with Alice Chadwyck-Healey, the director of hospitality at Bamford Collection, to learn more about what makes it special.

What is the most requested room at the property?

The Wisteria cottage

What makes it so special?

It’s not the biggest cottage in our collection but it’s the bedroom that makes the property so special and so frequently requested. As you walk up the stairs, there is a beautiful, vaulted roof, which none of the other cottages have. That is because Wisteria was the original schoolhouse for children of the estate staff and tenant farmers who lived on the Daylesford Estate. And of course, opening the windows and looking out across the quiet fields in the morning, surrounded by nature, is hard to describe unless you’ve experienced it yourself.

Daylesford Organic

What is the nightly rate for this room?

Starting at £580

What’s an interesting tidbit about the hotel that speaks to its status as an icon?

You’re staying on a working, organic farm—for us, this is simply a way of life, long before anyone called it a ‘farm stay.’ This has always been what Daylesford was about. It was about doing things the right way, working with nature not against it. As a guest, you can walk straight into the Market Garden, follow the footpaths around the farm, or head down to the wetlands to watch the birds. Every day, you wake up to birdsong and livestock in the fields rather than traffic, and alongside all of that you’ve got everything you could want from an exceptional stay, spending the morning reconnecting with nature followed by an afternoon in the spa. We also run events tied to the farming calendar, from wassailing to celebrating the solstice, rituals most people have never experienced but, once you’re here—feel completely natural.

What is your personal favorite room and why?

Any of the rooms at The Fox at Oddington, one of our Daylesford Pubs. It’s a short drive, or slightly longer walk from Daylesford Village and the interiors are equestrian through and through: rosettes won at local gymkhanas, deep green walls with trompe l’oeil paintings to the open plan Stable room which overlooks the garden. It’s the atmosphere that makes it so special to me, it’s full of character and always buzzing with locals and friendly faces enjoying one of the latest curations our head mixologist, Sam, has shaken up.

The Old School House cottage

What special perk or amenity do you offer that no one knows about?

A short walk from our Cotswold Wellness Spa at Daylesford, is The Club by Bamford, it offers a range of fitness and wellbeing facilities. We try to keep this perk a little secretive, as the club is usually reserved for members but, Daylesford guests are welcome to purchase a day pass during their stay, giving access to the 25-meter indoor pool, gym, sauna, ice baths, cryotherapy and other thermal facilities.

What’s your favorite design element on property?

I have always been in awe of our interiors team and the perfect example of their attention to detail is how each bedroom at The Wild Rabbit has been inspired by the many wild animals that call the Daylesford estate home. For Deer, my favorite room, they used bay-colored bridle leather and rust-colored hemp, contrasted with the most beautiful, natural linen bedding.  

How about one more fun fact about the property?

All the cottages are insulated with the leftover wool from our flock at Daylesford Farm (a natural solution for insulation), it ensures the properties are cozy and energy efficient in winter, and cool and airy in the summer months.

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The Nantucket pop up

The opening marks another step in the brand’s growing retail footprint but feels less like an expansion than a homecoming. For co-founder and chief creative officer Jessie Randall, summers on nearby Cape Cod helped shape her aesthetic long before Loeffler Randall became synonymous with bow-topped ballet flats and vacation-ready accessories. Days spent collecting shells, fishing for minnows and eating saltwater taffy inspired a nostalgic sensibility that quietly echoes throughout the brand’s latest collection.

Loeffler Randall co-founders Jessie Randall and Brian Murphy

Inside, the space is imagined as the ultimate New England summer escape. Handmade paper flowers from The Green Vase mingle with heirloom-inspired textiles from Howe London while artist Sarah Murphy of Hey Murphy contributes sculptural lighting. Cream-and-blue striped linen curtains, crocheted rose details and jars of saltwater taffy give the historic boathouse the feeling of a stylish beach cottage.

The Nantucket-exclusive edition of the Dina travel tote

The assortment is equally transportive. Shoppers will find the label’s coveted sandals, ballet flats, roomy totes and breezy ready-to-wear from the Summer 2026 collection, all rendered in sun-washed hues and seasonal textures. The standout is a Nantucket-exclusive edition of the Dina travel tote in cheerful red gingham, destined to become the island’s unofficial carryall before the week is over.

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The Fascination of Aerial Games

Aerial games have captivated the imagination of players worldwide, combining elements of strategy, skill, and excitement. Among various genres, the aviator game stands out due to its unique gameplay that challenges players to react swiftly and make decisions under pressure. This article delves into the allure of aerial gaming and what makes it an exhilarating experience for enthusiasts.

The Core Mechanics of Aerial Games

The essence of any aviator game lies in its mechanics. Players often take on the role of pilots navigating through complex environments filled with obstacles and opponents. The primary goal is to achieve the highest score while mastering controls and understanding the game’s physics. Each session presents a new challenge, ensuring that no two games are ever the same.

Why Players Love Aerial Challenges

One major reason players are drawn to aerial games is the adrenaline rush they provide. The thrill of soaring through the skies and executing daring maneuvers is unmatched. Here are some reasons why these games are so appealing:

• Instant Gratification: Players often enjoy immediate feedback on their skills and performance, which keeps them engaged.
• Variety of Gameplay: With numerous levels and difficulty settings, players can continually challenge themselves.
• Social Interaction: Many aerial games foster a competitive spirit, allowing players to engage with friends and rivals.

Strategies for Success in the Aviator Game

To excel in an aviator game, players must employ a combination of skills and strategies. Here are some tips to improve performance:

1. Practice Regularly: Familiarity with controls and gameplay mechanics is essential for mastering aerial challenges.
2. Study the Environment: Understanding the game’s maps and layouts can provide a competitive edge.
3. Master Timing: In many games, timing is crucial. Players should learn the best moments to execute maneuvers.

The Evolution of Aerial Gaming

Aerial games have evolved significantly over the years. From simple 2D graphics to stunning 3D environments, technology has transformed the gaming experience. Developers are continuously innovating, introducing new features and updates that keep players returning for more. This evolution has not only enhanced gameplay but also expanded the audience, attracting both casual and hardcore gamers.

Future Trends in Aerial Gaming

As the gaming industry advances, the future of aerial games appears bright. Here are some trends to watch:

• Virtual Reality (VR): With the rise of VR technology, players can immerse themselves in the aerial experience like never before.
• Enhanced Graphics: Continued advancements in graphics will provide even more realistic and engaging environments.
• Community Engagement: More games are focusing on building communities, where players can share tips and challenges.

Conclusion: The Allure of Aerial Challenges

The aviator game and its genre offer an exciting platform for players seeking thrilling experiences. With unique mechanics, social interaction, and a continuous evolution in gameplay, aerial challenges remain a popular choice among gamers. As technology grows, the future of these games promises even greater adventures, solidifying their place in the hearts of players around the world. Embrace the skies and unleash your potential in the fascinating world of aerial gaming!

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Gran Hotel Margalida

DuJour spoke with Annua Signature Hotels’ co-founder and CEO, Alvaro Sasiambarrena, to learn more about what makes it special.

What is the most requested room at the property?

The Margalida Suite

What makes it so special?

It occupies the original tower of the house, the oldest part of the building, with sweeping 360-degree views over the village of Banyalbufar, the terraced Serra de Tramuntana and the Mediterranean. Its elevation and position make it the most dramatic vantage point in the hotel. It’s where the hotel’s story began. From the tower you don’t just see the sea, you command the full landscape, from the UNESCO-listed Serra de Tramuntana down to the water. It feels like the heart of the house and it embodies the spirit of the hotel: cinematic, elemental and deeply connected to place.

What is the nightly rate for this room?

€1,850

A guest room

What’s an interesting tidbit about the hotel that speaks to its status as an icon?

Every single room faces the sea, ensuring the horizon is always present. The hotel also debuts Annua’s first fully integrated spa and wellness concept, alongside a panoramic fitness studio, reformer Pilates space and outdoor yoga platform overlooking the Mediterranean. Add ocean-facing dining led by Mallorcan chef Joan Escalas, and you have a place where nothing is generic: every object, from furniture to ceramics and lighting, has been designed exclusively for the hotel.

What is your personal favorite room and why?

The Margalida Suite. It’s impossible not to be drawn to the tower, the light and the sense of perspective it gives you over the landscape.

What special perk or amenity do you offer that no one knows about?

Private guided hikes directly from the hotel into the Serra de Tramuntana, a UNESCO World Heritage landscape. Guests can step out of the property and immediately enter one of Mallorca’s most extraordinary natural environments.

The pool

What’s your favorite design element on property?

The lamps—handwoven plant-fibre pendants made by artisans in Yucatán that are embedded throughout the rooms and public spaces. They give the light a softness and texture that ties into the hotel’s wider material palette of natural stone, artisanal finishes and handcrafted detail.

How about one more fun fact about the property?

The hotel is named after Margalida, the remarkable elderly woman who once owned the house. During the restoration, the team found the building’s original key—a small sign, we like to think, that the house approved. Spaces that once belonged to the old estate have been given new life, but its soul remains intact: Margalida marks the rebirth of a Banyalbufar landmark, a place whose quiet magic you feel the moment you arrive.

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Nel mondo delle scommesse sportive, la tecnologia gioca un ruolo fondamentale. Con l’avvento degli smartphone e delle applicazioni dedicate, gli appassionati di sport possono ora scommettere ovunque e in qualsiasi momento. La goldbet app è una delle soluzioni più apprezzate dagli utenti, grazie alla sua interfaccia intuitiva e alle numerose funzionalità che offre.

Vantaggi dell’utilizzo della Goldbet app

Utilizzare la goldbet app presenta diversi vantaggi, che possono migliorare notevolmente l’esperienza di scommessa. Ecco alcuni dei principali punti di forza:

• Accesso immediato: La possibilità di effettuare scommesse in tempo reale.
• Facilità d’uso: Un’interfaccia user-friendly che rende la navigazione semplice e veloce.
• Offerte esclusive: Promozioni speciali riservate agli utenti dell’app.
• Notifiche personalizzate: Aggiornamenti su eventi sportivi e scommesse.

Come scaricare e installare la Goldbet app

Scaricare la goldbet app è un processo semplice e veloce. Ecco i passaggi da seguire:

1. Visita il sito ufficiale di Goldbet.
2. Cerca la sezione dedicata alle app per dispositivi mobili.
3. Seleziona il tuo sistema operativo (iOS o Android).
4. Scarica l’applicazione seguendo le istruzioni fornite.
5. Installa l’app sul tuo dispositivo e registrati o accedi al tuo account.

Funzionalità principali della Goldbet app

La goldbet app offre una gamma di funzionalità che possono soddisfare anche gli utenti più esigenti. Tra le caratteristiche più interessanti troviamo:

• Scommesse live: Segui gli eventi sportivi in tempo reale e piazza le tue scommesse mentre l’azione si svolge.
• Statistiche dettagliate: Accesso a informazioni e statistiche sui team e i giocatori, utili per fare scelte informate.
• Depositi e prelievi rapidi: Gestisci il tuo saldo in modo semplice e sicuro.

Assistenza clienti tramite la Goldbet app

In caso di domande o problemi, la goldbet app offre un servizio di assistenza clienti accessibile direttamente dall’app. Gli utenti possono contattare il supporto tramite chat live, email o telefono, garantendo risposte rapide e professionali.

Conclusione

In sintesi, la goldbet app rappresenta una soluzione ideale per chi desidera scommettere comodamente dal proprio smartphone. Con la sua interfaccia intuitiva, le offerte esclusive e le funzionalità avanzate, gli utenti possono godere di un’esperienza di scommessa senza pari. Che tu sia un neofita o un esperto scommettitore, questa app merita di essere provata.

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The estate feels deeply rooted in its surroundings. Restored almond orchards, an expansive kitchen garden and working farmland supply much of what appears on the table, including at Michelin-starred Sa Clastra and the more relaxed Olivera restaurant, where Mediterranean flavors shine and where a lavish breakfast buffet of Spanish treats awaits (don’t sleep on the ramallet tomatoes bathed in oil atop the hotel’s amazing fresh-baked breads).

Days unfold at an unhurried pace. Guests can spend the morning hiking or cycling through the Tramuntana, unwind with a treatment at Bellesa de Claret Spa (where the sauna, steam, indoor pool and cold plunge offer a nice respite from the outdoors) or simply linger by the pool with mountain views. A tennis court, yoga sessions and fitness studio round out the wellness offerings, while Palma is just 30 minutes away for an easy afternoon in the city.

Castell Son Claret isn’t about over-the-top luxury. It’s the kind of place that reminds you why you came to Mallorca in the first place: to slow down, breathe deeply and experience the island.

DuJour spoke with managing director Björn Spaude to learn more about what makes it special.

The grounds of Castell Son Claret

What is the most requested room at the property?

The Pool Suite

What makes it so special?

Guests appreciate the privacy, the generous indoor and outdoor living space, and having their own garden and private pool. The Pool Suite offers a different rhythm of stay. Guests can spend the day entirely in their own space while still enjoying all the services of the hotel. During the warmer months, the private pool is a welcome place to cool down under the Mediterranean sun.

What is the nightly rate for this room?

From €2,000 per night

The pool at Castell Son Claret

What special perk or amenity do you offer that no one knows about?

Our Heritage Walk where guests explore the neighboring Galatzó estate with a local guide from the Tramuntana. Galatzó feels almost frozen in time, with its original olive mill, kitchens and agricultural buildings still intact. Castell Son Claret represents a different chapter—how a traditional Mallorcan estate continues to evolve today Together, the two places tell a broader story about Mallorca’s rural heritage and cultural landscape. The experience can end with a picnic or lunch in our huerto, surrounded by the ingredients that shape some of the hotel’s culinary offering.

What is your personal favorite room and why?

The Tower Suite. It is located on the first floor of the historic tower and offers one of the most distinctive views on the estate. From the balcony you can watch the sunrise over the eastern countryside and later enjoy the sunset over the gardens, pool and mountains. It is a wonderful place to appreciate the changing light throughout the day.

The Olivera restaurant courtyard

What’s your favorite design element on property?

As guests pass through the gates and enter the palm-lined driveway, there is an immediate sense of leaving everyday life behind. The estate encourages people to slow down, look around and reconnect with nature. I am also particularly fond of the glassware created by La Fiore, a Mallorcan glassblower artisans. Their pieces can be found in the guest rooms, throughout the gardens and public spaces, and in our Michelin-starred restaurant, Sa Clastra. More than 90 percent of the glass is made from recycled wine bottles collected from hotels across the island. It is a beautiful example of craftsmanship, sustainability and a sense of place.

What products are grown on site?

We have our own huerto, citrus groves, olive trees and, from this year, a project restoring 400 almond trees at the entrance of the estate. Our olive oil is produced exclusively for use within the hotel, and we recently launched our own gin and vermouth together with a small local producer using herbs gathered on the estate. What makes Castell Son Claret special is that these things are not attractions created for guests., they are simply part of the life of the estate.

How about one more fun fact about the property?

Our Michelin-starred chef, Jordi Cantó, is also a passionate cyclist. Earlier this year he completed Mallorca’s demanding 360-kilometer cycling challenge and returned to work immediately afterwards. I think it says a lot about the discipline, determination and consistency that he brings both to the kitchen and to life in general.

The Pool Suite at Castell Son Claret

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As the founder of Related Companies and chairman and CEO of Related Ross, the real estate titan spent decades reshaping Manhattan’s west side with Hudson Yards, the sprawling mixed-use project that became a case study in how to redevelop a city from scratch. Now he’s doing something similar in South Florida, but with a cleaner read on the moment: a generation of wealthy people has been moving to Florida, and whoever builds the right infrastructure first stands to own the market.

CityPlace

The numbers are large. Ross has committed more than $10 billion to West Palm Beach, anchored by a pair of trophy office towers—10 and 15 CityPlace—designed to draw hedge funds, private equity firms and financial players who want the upside of Florida’s tax environment without giving up the kind of address that signals they mean business.

He knows, though, that offices alone don’t make a city. So around the towers he’s building luxury waterfront condominiums, retail, restaurants and the kind of cultural programming that gives a neighborhood an identity. The pitch to a potential relocator isn’t just “lower taxes.” It’s “you won’t miss New York.”

360 Rosemary

It’s working, at least by one measure. Related Ross has quietly become the largest commercial landlord in downtown West Palm Beach—which means Ross now controls enough of the district to shape it. He can choose the tenants, set the tone and determine what kind of place this becomes. That’s the real asset.

People who watch these markets closely aren’t surprised. The migration of financiers, family offices and entrepreneurs to Palm Beach County has been building for years. Ross isn’t chasing that trend—he’s putting a frame around it.

The ambition, plainly stated: make West Palm Beach a place where serious deals get done, not just a warm-weather escape for people whose real lives are elsewhere.

Whether it works at that scale is still an open question. But Ross has done it once before, on a much harder piece of ground.

One Flagler

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Wellington is a world unto itself—part elite sporting arena, part social landscape, part demanding daily test of patience and precision. Before the crowds gather and the afternoon classes begin, the morning hours belong to riders, trainers, grooms and horses moving quietly through carefully structured routines. It is here, among early schooling sessions and carefully timed warmups, that the 27-year-old Kasowitz has built her rhythm. Her competitive appearances in upper amateur jumper classes have shown that she rides with seriousness rather than spectacle. Horses such as Charlie, King of Diamonds Z and Dinky Toy VD Kranenburg have appeared under her in recognized competition, each requiring a slightly different style of communication and feel. In jumping, every horse presents a new conversation. One may need confidence approaching technical lines; another may demand patience before a vertical or oxer. Riders who remain in the sport at a high level learn that adaptability matters as much as boldness.

Kasowitz’s riding career has been linked with Fair Play Farm and trainer John Roche, both associated with serious jumper development rather than purely social participation. That matters, because in Wellington, barn affiliation often reveals more than public introductions ever do. Riders attached to disciplined training programs are judged not by social visibility but by preparation, ring conduct and how steadily they improve over time.

Though she rides in the same environment that includes internationally known names such as Jessica Springsteen and Lillie Keenan, Kasowitz’s profile has remained notably discreet. In many ways, that reflects a familiar pattern in upper-level amateur equestrian sport: serious commitment without the need for constant public attention. Among riders, that discretion often earns its own form of respect. The world of competitive equestrian sport rewards patience in unusual ways. Progress is rarely linear, and each season introduces new horses, new technical challenges and new lessons in resilience. For riders like Kasowitz, the attraction appears rooted in that ongoing pursuit itself—the refinement of skill, the trust required to compete successfully and the discipline of returning each day knowing that mastery in riding is always unfinished.

Samantha Kasowitz at the Split Rock Jumping Tour

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A tent

DuJour spoke with Rishen Patel, the property’s owner, to learn more about what makes it special.

What is the most requested room at the property?

Room 10, a one-bedroom VIP tent, is among our most sought-after accommodations.

What makes it so special?

It’s located just steps from our vegetable garden and enjoys views over a landscape where elephants regularly traverse, offering guests the chance to witness these remarkable animals from the comfort of their room, particularly at dawn and dusk. Beyond wildlife viewing opportunities, the suite is quite spacious and thoughtfully designed. A beautifully appointed and expansive living room is accented by handcrafted timber furnishings, handblown glass accents, and locally made decorative pieces, each celebrating the artistry of Tanzanian craftsmanship. The suite boasts a separate bedroom, two bathrooms and an outdoor shower. As with all our suites at Mapito Safari Camp, one of the most distinctive features is the in-room telescope and retractable roof that allow guests to enjoy optimal stargazing.

The bar entrance

What is the nightly rate for this room?

Between $1,400 – $2,200 per person per night. Room rates at Mapito Safari Camp are fully inclusive and encompass all dining and beverages, unlimited private game drives in a luxury open-air Land Cruiser, Wi-Fi, park and concession fees and return airstrip transfers from Fort Ikoma or Seronera. Our guests also enjoy the dedicated services of a Nyota, a personal safari valet who works with the property team to provide seamless support and coordination, from a pre-arrival consultation through the conclusion of their stay, all to ensure a safari experience that feels tailored to each guest.

What’s an interesting tidbit about the hotel that speaks to its status as an icon?

Mapito offers the first safari suites in East Africa with retractable roofs, which allow guests to literally sleep beneath a canopy of stars. Expert-led stargazing experiences and night safaris further celebrate the celestial beauty of the surroundings and even the camp’s pool reflects this inspiration, mirroring the sky by day and creating an illusion of swimming through the night sky after dark.

A tent bedroom

What is your personal favorite room and why?

I am particularly fond of our two-bedroom villa, which can feel like having a private safari camp of your own. It’s ideal for families who are seeking the ultimate Serengeti retreat, with ample space to relax and reconnect between game drives and wildlife adventures. Like the rest of the camp, the villa was thoughtfully designed by Dunia Designs, blending comfort with a strong sense of the Serengeti. The villa features two spacious bedrooms, an expansive living area, and fully appointed kitchen (with the option for a private chef!), a private swimming pool and a secluded boma fireplace overlooking incredible sunset views.

What special perk or amenity do you offer that no one knows about?

Mapito Safari Camp is located on the edge of Serengeti National Park, while also providing guests access to the adjacent Ikoma Wildlife Management Area (WMA), which lies just beyond the camp. Game drives in the WMA are conducted in accordance with strict ethical guiding practices and offer a more tranquil, flexible safari experience. With fewer vehicles and less traffic, guests have the option to head out and return multiple times a day for wildlife viewing that matches their pace and preferences. Beyond this, the WMA provides our guests with the opportunity to experience night game drives, which are not available in Serengeti National Park. These drives take place along designated routes, using low-impact lighting and responsible viewing practices to ensure we minimize any wildlife disturbance while giving guests a rare glimpse into the Serengeti’s vibrant nocturnal world.

The pool

What’s your favorite design element on property?

I love the straw marquetry of Ateliers Lison de Caunes which was made for the bed alcove in one of the rooms. As an Autograph Collection hotel, authentic, locally inspired design and craftsmanship are at the center of the property, and ultimately, the guest experience. Our partners at Dunia Designs, based nearby in Arusha, helped bring that local perspective to the entire property. Nearly every fabric, light fitting and piece of furniture draws on Tanzanian craftsmanship and was created in collaboration with local artisans and cooperatives. For me, the walls of the Nija Restaurant stand out as truly exceptional. Each rock was locally quarried and was cut and shaped to fit perfectly into the wall, all of which was done by hand.

How about one more fun fact about the property?

One of the most meaningful aspects of Mapito Safari Camp is our deep connection to the local community. Guided by a dedicated liaison on staff, the camp works closely with neighboring villages to support initiatives focused on access to healthcare, education and community development. More than 90 percent of the team at Mapito are Tanzanian, with many coming from nearby communities that their families have called home for generations. Our local ties help to enrich the guest experience in so many ways. One of my favorite examples is the Boma experience, which is Mapito’s Autograph Collection “Moment.” During this immersive gathering, members of the Mapito team share their traditions, stories and cultural heritage around the bonfire, creating a significant connection to the people and spirit of the Serengeti.

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That philosophy extends throughout Treat Medspa’s carefully curated menu, which includes Sofwave for collagen stimulation, XERF for skin tightening, Emface for needle-free facial toning, Emsculpt Neo for body contouring and regenerative Salmon DNA facials, alongside wellness offerings including GLP-1 weight management. The 2,000-square-foot flagship overlooking Fifth Avenue feels more like a boutique hotel than a traditional med spa, pairing warm interiors with cutting-edge technology and elevated service. Founded by industry veterans Ryan Bloch, Lindsay Malachowski and Sarah Bonner, Treat Medspa is also becoming a gathering place for the beauty community through its invite-only Treat Talks series. In a category often driven by hype, Treat Medspa is making the case that the future of aesthetics is measurable, personalized and decidedly more luxurious.

Treat Medspa

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Kargman stars as Dzanielle in Influenced

For Kargman, whose career has always involved observing human behavior and exposing its contradictions, influencer culture offered an irresistible target. When the film begins streaming this July, audiences can expect the same incisive social satire that has made Kargman a singular voice for more than two decades—only this time, the joke is on all of us. We spoke to Kargman about lnfluenced, streaming July 10.

What first sparked the idea for Influenced?

I’d been posting spiels during Covid as Dzanielle, a mom reporting from the Upper East Side who was melting down without her colorist, Pilates, Peking duck and social circle.

Was there a particular moment in influencer culture that made you think, “There’s a movie here”?

There are too many to count—it felt like shooting fish in a barrel. New York already can feel hyperbolized in its consumption, and influencer culture just amplifies and disseminates it so it was too easy to satirize and had to be done. This movie felt like a natural extension of my books and Odd Mom Out; it’s a similar milieu but with a digital keyhole into the 1%’s world—one that they have curated and constructed

How did you balance satire with empathy when portraying your characters?

I have met people who I’ve “seen around” and had negative impressions of, only to learn and again and again it’s not all black and white. There can be aspects of a character I find unsavory and then see they’re loving parents, or maybe they’re flashy but truly care about a cause that’s important to them.

The Upper East Side has been a recurring character in much of your work. What keeps drawing you back to it as a setting? 

Well I grew up and live here- I’m more midtown-adjacent with dry-cleaners and pot stores on Third so it’s geographically not fully steeped in it, but I keep harvesting anecdotes or witnessing things by proxy—it’s just osmosis basically and the stories write themselves.

Influenced

How has the Upper East Side changed since you were growing up there? 

In the 1980s when I was a kid, classmates had their limos drop them off two blocks from school cause they were embarrassed. Now assholes are geotagging Teterboro.

Do you think the social dynamics of the neighborhood have changed in the age of Instagram and influencers, or have they simply moved online?

No they’ve completely jacked up with the advent of filters and fabulosity. People feel the need to show you they’re everywhere in order to feel important I guess. I don’t hate follow anyone, but from what I gather people post from every hotspot they want to be seen.

The neighborhood is often portrayed as exclusive and insular. What do outsiders misunderstand about life on the Upper East Side?

That there are brilliant, down-to-earth, incredible humans here who aren’t wearing logos or wheels up to St. Barth’s: surgeons, professors, innovators, captains of industry who don’t need to roll with other ones, people who kept their old friends and never would dream of social-climbing.

Did growing up on the UES sharpen your eye for social satire? 

Yes, completely. I come from very observant, funny parents who always taught us the value of a dollar and how to treat everyone the same and pointed out when people around us didn’t.

Are there specific places, rituals, or characters from Upper East Side life that found their way into the film? 

No one is based on anyone, but generally I’d say, workout culture, manicure joints, after school programming and the upstairs-downstairs nature of nannies, dog-walkers, trainers, etc.

The Upper East Side has always had its own codes of status and belonging. How have those codes evolved in the influencer era?

I just think sadly people try so hard to appear part of something—a huge party or store opening or opening night—whereas I’d usually rather just be home

What’s your biggest pet peeve about influencers?

I don’t follow any who live off of their posts but I can’t imagine they could be trustworthy in their recommendations when they’re profiting off them

If someone wanted to understand the real Upper East Side—not the stereotype—where would you send them? 

A museum, a diner on York Avenue, a picnic in the park, a lecture, a book shop, a dive bar

What is your favorite Upper East Side institution that has survived all the changes in the neighborhood?

Sore subject. Donohue’s…which is closing this summer.

If you could sit down with your teenage Upper East Side self, what would she think about the world of influencers and social media today?

She’d say what I’d say: we are all going to die. Don’t worry what anyone else is doing just do awesome stuff with awesome people with the time we have.

The post Jill Kargman Takes Aim At Social Media Culture In “Influenced” appeared first on DuJour.

Dessert leans into American nostalgia, with favourites including a classic Maine Whoopie Pie and an Oatmeal Cream Pie. The drinks menu follows suit with a selection of takeover-exclusive cocktails, from the gin-and-saké ET Cooler to a bright Negroni Bianco and a playful Twisted Tea. The residency runs until the end of October, with dinner served on Thursdays and Fridays, all-day dining on Saturdays and lunch through to late afternoon on Sundays.

Eventide Oyster Co. oysters

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East End Explorer LLC was founded by Eric and Beth Wurzburg as an eco-tour company focused on exploring the natural wonders of the waters around Long Island’s east end. In addition to the summer camp, the company offers a marine science immersion program, guided kayak/paddle board tours, custom nature excursions, kayak and paddle board rentals and, starting in 2023, excursions and tours on a custom boat. After a trip to the salt marshes when he was eight years old, Eric Wurzburg has been hooked on estuarial ecology and life of the salt marsh. “It’s quite amazing to see the biodiversity that thrives in these shallow waters and grasslands,” he explains. “Throughout my life I have pursued occupations that have allowed me to share my passion for environmental stewardship and ecological mindfulness with others. I travel, fish, dive, paddle, hike, boat and explore the natural world every chance I get.” To the end, he earned a Masters Degree in Natural Resource Management with an emphasis on environmental education. Beth earned her Ph.D. in educational theory and practice and is a professor of education at the University of Georgia during the academic year.

One of the program’s standout experiences is its partnership with the Stony Brook School of Marine and Atmospheric Sciences. Campers step aboard the research vessel RV Peconic to work alongside scientists studying the region’s marine ecosystem, offering a rare glimpse into the research shaping the future of Long Island’s waterways. Adventure is part of the appeal, but East End Explorer Camp is ultimately about something deeper: fostering resilience, curiosity and a lasting connection to the natural world—and to one another.

Kids exploring the waters during East End Explorer summer camp

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“The Swedish countryside and the Hamptons share so much of what makes summer special—long days outdoors, gathering with friends and an appreciation for simple pleasures,” says Sara Ciliberto, partner and COO of BonBon Swedish Candy Co. “This collaboration is a natural way to celebrate those shared traditions.” For Joey Wölffer, the partnership reflects the spirit of the East End itself. “Playful, vibrant and meant to be shared, these flavors capture the feeling of long golden days out East while bringing together two local favorites in celebration of Midsummer,” says Wölffer. Retailing for $135, Midsummer in a Box is available in limited quantities online and at Wölffer Estate’s Wine Stand in Sagaponack as well as BonBon’s Brooklyn locations just in time for the season’s most memorable weekends.

Midsummer in a Box, $135

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Daylesford Tableware

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What started at home, shared with neighbors, quickly gained momentum after a teacher commissioned her first official batch. By 2025, Heathcote Bakery had already entered the cultural conversation, named to Oprah’s Favorite Things for its thin, crisp-edged, soft-centered chocolate chip cookies. Now available with nationwide shipping and at Citarella stores in the New York area, the brand is expanding with retail-ready half-dozen boxes and Heathcote Minis, bringing its signature texture-driven simplicity to a wider audience. “I didn’t set out to start a cookie company, I just wanted to make the style of cookie I loved so much, but could rarely find in stores or bakeries,” says Lyon. “Thin, crispy edge, soft center and nothing fake. Just real ingredients.” Still, Lyon describes the work in the most unassuming terms: not a grand plan, but a personal pursuit of the cookie she could never quite find. In a crowded landscape of indulgence, Heathcote’s appeal lies in its clarity. It is not trying to be everything. Just the cookie, done exactly right.

Heathcote Bakery Mini Chocolate Chip Cookies

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Barnes International Realty has opened a Hamptons office just in time for summer 2026. Barnes Hamptons will go beyond real estate—sales and seasonal rentals, but also private yacht and jets, fine dining experiences (Cafe Boulud is located at Maison Barnes in New York City), art acquisition and vineyards. With the opening of Barnes Hamptons, international clients will benefit from both local market expertise and the reach of the brand’s global network. Whether purchasing a primary residence, investing in a second home, selling a property or securing a seasonal rental, clients will have access to personalized guidance tailored to their specific needs. Located in Bridgehampton, the office serves clients throughout the East End, from Southampton to Montauk, offering expertise in luxury sales, seasonal rentals, investment opportunities and off-market properties. “Our clients increasingly view the world through a portfolio of destinations,” says Alison Graham, managing director of Barnes Hamptons and Barnes New York. “The Hamptons stands alongside places like London, Paris, Miami and Saint-Tropez as one of the world’s premier luxury markets.”

A Barnes Hamptons listing at 101 Central Avenue in Amagansett

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What’s the most requested room at the property?

The 6,327-square-foot, indoor-outdoor living 3-Bedroom Oceanfront “Villa La Paz” Rooms 901 & 902

What makes it so special?

This exceptional Villa features a private oceanview lap pool overlooking the Sea of Cortez, expansive terraces ideal for capturing Cabo’s spectacular sunrises, and front-row whale watching from the comfort of your own private sanctuary. Designed for both relaxation and entertaining, Villa La Paz includes a chef’s kitchen, spacious dining area, and an elegant living room that seamlessly connects to the outdoor living spaces. Each bedroom features its own luxurious bathroom with a deep soaking tub, walk-in shower and premium amenities curated for an unforgettable stay experience. What makes Villa La Paz truly exceptional is its premier oceanfront location combined with its award-winning design, offering unobstructed views of the Sea of Cortez from every room in the villa. Guests also enjoy a highly personalized experience with a dedicated “Resort Ambassador” who serves as a private host throughout their stay, curating bespoke experiences, and accommodating personalized requests. The villa’s private oceanview lap pool is accessible from every room, creating a seamless indoor-outdoor lifestyle experience. This luxurious journey begins the moment guests arrive, with roundtrip airport transportation included in the nightly rate.

What is the nightly rate for this suite?

From $4,500

What’s your favorite design element on property?

How dramatically the resort transforms at sunset. As evening falls, the property becomes an elegant desert oasis, beautifully illuminated to showcase the natural textures, landscaping, and architecture inspired by the Baja desert and coastline.

What’s an interesting tidbit about the hotel that speaks to its status as an icon?

Park Hyatt Cabo del Sol is the first Park Hyatt property in Mexico, located within the exclusive Cabo del Sol community along Cabo’s coveted Golden Corridor. The resort is surrounded by some of the destination’s most luxurious lifestyle experiences, including the 59,000-square-foot Saria Spa at Park Hyatt Cabo del Sol, world-class golf on site, and the newly opened Anima Village — an elevated luxury retail and culinary destination featuring prestigious brands such as Louis Vuitton, Cartier, Tiffany & Co., Gucci, fine dining experiences and art galleries.

What’s your personal favorite room? Why?

Our Deluxe Ocean View Suite located on the third floor of Building 7, Room 734. The sunrises from the spacious suite and private terrace are among the most spectacular I have experienced in my more than 30 years traveling the world as a luxury hotelier. Overlooking the Sea of Cortez as yachts glide along the horizon or enjoying a private dinner under the stars, it is an experience guests remember for a lifetime.

How about one more fun fact about the property?

You never have to look for the ocean—it always finds you. Nearly every space throughout the resort was intentionally designed to keep the Sea of Cortez constantly within view.

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“It is especially meaningful to have this work performed by two of the world’s great orchestras as our nation begins this historic anniversary year,” says LeFrak. The performances arrive at a time of extraordinary momentum for the composer. Her recordings have now surpassed 60 million streams worldwide, a remarkable achievement that underscores her growing global audience and the broad appeal of her uplifting and inspirational music. Fans attending the July 3 performance in New York will have the opportunity to experience American Promise live during what promises to be a memorable evening honoring both music and country. With performances by both The New York Philharmonic and the Houston Symphony, the work is poised to become a meaningful part of this historic national celebration.

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“So much of the magic of The Hedges was already there—the history, the intimacy, the charm and the feeling of an authentic East Hampton home with a story behind it,” says Wetenhall. “In seeking to make it the most beautiful and fully realized version of itself, David understood immediately how to lean into the property’s character and coziness while elevating it with a sense of sophistication that feels completely natural. His connection to East Hampton is incredibly important; he understands the community in a personal way, and his work has a timelessness that never feels forced or overly decorated. He brings warmth, wit, confidence, and irreverence to the interiors in a way that now makes the experience of staying at The Hedges feel as layered and memorable as the level of service we deliver.” Throughout the Inn, antique and vintage pieces sourced from UK, Maine and Massachusetts (notably the Brimfield Antique Flea Market) are layered with custom furnishings, tailored upholstery and handcrafted details that give the spaces a collected, residential feel. The redesign also incorporates a mix of longtime brand partners and artisanal makers familiar to the Wetenhalls’ world of hospitality and design, including linens and terry by Matouk, bathroom fixtures by Waterworks and textiles by Schumacher featured throughout the restaurant. A focal point of the redesign is a custom scenic de Gournay wall covering created by Wetenhall and Netto for the parlor room, inspired by the landscapes, landmarks and architectural character of East Hampton. “It’s a very sweet, homecoming feeling, getting to participate in a project like this in the town where I grew up,” says designer David Netto. “The Hedges has always meant so much to the life of the village as a visual landmark—it’s the first thing you see that tells you you’re home—and now it’s going to offer that on the inside, too. Sarah has a gift for making hotels which are glamorous, happy, but always regional, celebrating a strong sense of place. ”

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In the spirit of the brand’s beloved Sisterhood community, La DoubleJ will host a special gathering on Wednesday, July 8 at Dreamland. Curated by wellness resident Holly Ruth Finigan, the morning will feature movement with Evie Marie O’Connor, sound healing with Monika Rudnicka, and Reiki with Kristin Love—an immersive experience designed to Raise Your Vibration and cultivate joy, connection, and inner radiance. The event is open to the public by reservation only, with limited spaces available. For more info and to RSVP, please email RSVP@LaDoubleJ.com.

La DoubleJ Nantucket

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Now on view at the National Archives Museum in Paris through July 14, 2026, Lafayette between France and America: History and Legend shines a spotlight on Gilbert du Motier, Marquis de Lafayette (1757–1834), the French aristocrat and military leader celebrated as the “Hero of Two Worlds” for his enduring impact on both American and French history. At just 19 years old, Lafayette volunteered to fight in the American War of Independence, forging a close friendship with George Washington and rising to the rank of major general in the Continental Army. Following the American Revolution, he returned to France, where he became a key figure in the early years of the French Revolution, advocated for constitutional government, opposed Napoleon’s return to power in 1815, and later helped pave the way for the July Monarchy in 1830. Through manuscripts, portraits, personal memoirs, books, artwork, prints and historic documents, the exhibition traces Lafayette’s remarkable journey across two revolutions and explores his lasting influence on the democratic ideals that shaped the modern world. Among the highlights is the Declaration of the Rights of Man and of the Citizen, including an early draft authored by Lafayette in consultation with Thomas Jefferson and presented to the French National Assembly on July 11, 1789.

The exhibition brings together materials from the National Archives, Lafayette College’s Skillman Library Special Collections and College Archives, the Williams Center for the Arts Galleries, the Chambrun Foundation, the Musée Carnavalet and other leading French institutions. At the heart of the project is Professor Olga Anna Duhl, who serves as chair of Lafayette College’s Exhibition Scientific Committee, co-curator, bilingual catalog co-editor and author, and symposium co-organizer. Duhl is the Oliver Edwin Williams Professor of Languages and founder and co-chair of the Medieval, Renaissance and Early Modern Studies Program at Lafayette College in Easton, Pennsylvania.

An internationally recognized scholar, Duhl’s research focuses on the Marquis de Lafayette as well as late-medieval and early-Renaissance French literature, theater, rhetoric, translation, and textual criticism. Her distinguished career has earned numerous honors, including l’Ordre des Palmes Académiques, one of France’s oldest and most prestigious civil distinctions, awarded by the French Ministry of Education. She has also received a Renaissance Society of America grant, a Bibliographical Society of America fellowship, and appointments as a Visiting Scholar at the University Sorbonne Nouvelle–Paris 3 and the École nationale des chartes. The exhibition follows the success of A True Friend of the Cause: Lafayette and the Anti-Slavery Movement, which Duhl co-curated at Manhattan’s Grolier Club in 2016 and 2017. Together, these projects underscore Lafayette’s enduring relevance as a champion of liberty, human rights, and democratic ideals on both sides of the Atlantic.

Lafayette between France and America: History and Legend on view at the National Archives Museum in Paris

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During the evening, Robert De Niro surprised guests with a heartfelt toast honoring Jane Rosenthal and celebrating the Tribeca Festival’s 25th anniversary. Speaking to Rosenthal’s leadership and creative vision, De Niro shared, “Jane is a tough business leader, but she’s also a patron of the arts. It comes so naturally to her because she appreciates what artists do. Jane understands the soul of the artist because she has the soul of an artist. She’s the perfect leader of the Tribeca Festival and our production company because she’s a born storyteller.” Additional tributes were shared through video messages from longtime friends and collaborators who were unable to attend, including Leonardo DiCaprio, Bradley Cooper, Kathryn Bigelow, Spike Lee, Leslie Linka Glatter and Darren Aronofsky.

Guests included Sofia Coppola, Teyana Taylor, Sarah Pidgeon, Ayo Edebiri, Katie Holmes, Billy Crystal, Whoopi Goldberg, Julia Louis-Dreyfus, Olivia Munn, John Mulaney, Bill Skarsgård, Seth Meyers, Grace Gummer, Rashida Jones, Rosie Perez, Christy Turlington Burns and Edward Burns. Rooted in the founding mission of the Tribeca Festival—to help revitalize New York City’s creative community in the aftermath of 9/11—the Artist Awards Program continues to champion artistic vision, collaboration and community. By bringing together artists and filmmakers, the program reflects the Festival’s longstanding commitment to supporting creative expression across disciplines. Each year, participating artists contribute original works in recognition of the storytellers whose voices shape culture and inspire audiences worldwide.

Chanel continues its longstanding support of the Artist Awards Program, celebrating the artists and filmmakers defining contemporary culture. Art has been woven into the House’s identity since its founding. Gabrielle Chanel surrounded herself with pioneering artists, writers and creatives, fostering a spirit of collaboration that remains central to the brand today. Through its ongoing partnership with the Tribeca Festival, Chanel reaffirms its enduring commitment to artistic creation and cultural exchange in all its forms.

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A few days ago, Titanic—yes that one, with Kate and Leo— had its world premiere in Tokyo.

In a month, Timothée Chalamet will be 2 years old.

Harry Styles is 3.

Taylor Swift is 7.

Billie Eilish, Olivia Rodrigo and Sabrina Carpenter haven’t even been born yet.

Now imagine Shania Twain. She’s 32 years old, from the middle of nowhere, “the bush,” in northern Ontario, Canada, where, in winter, the roads freeze over and you get around on snowmobiles. She’s already had her first No. 1 hit, “Any Man of Mine” from her breakthrough The Woman in Me. Today, she’s celebrating the release of what will become her landmark album Come On Over, her third record.

She knows it’s good. She’s put her heart and soul into it. But she has no idea that it will become one of the best-selling releases of all time. (Tied for a while, before surpassing it, with Fleetwood Mac’s Rumours.)

And, that nearly 30 years later—OK, now we’re in 2026 and Sabrina Carpenter is 27 and Harry Styles is 32—we’ll still be singing not one, not two, not three, but five songs from it: “You’re Still the One,” “Man! I Feel Like a Woman,” “From This Moment On,” “Come On Over” and “That Don’t Impress Me Much.”

These are tracks that play rent-free in our minds. You can sing a line from any of those songs, and you don’t even need the radio or a karaoke machine to do it. One of those lyrics is likely rolling through your head right now as you read this.

Maybe it’s:

The best thing about being a woman is the prerogative to have a little fun.

or:

You’re still the one that I love, the only one I dream of.

For me, it’s:

Oh-oh, you think you’re sexy. Oh-oh, you think you’re something else. Okay, so you’re Brad Pitt. That don’t impress me much.

Yes, the legacy of this album is amazing. It’s impossible not to be impressed. Do you know what’s also amazing? Do you know what’s also impressive? That in the 30 years since this canonical album was released, Twain has still not met Brad Pitt.

“Never met him,” she says, taking a load off after the day’s photo shoot. She’s wearing a Gucci jacket, a yellow baseball cap, white high-top sneakers and a T-shirt featuring Winnie the Pooh.

I look at her, dumbfounded. I repeat the question. How is it possible? That this worldwide musical sensation has never been in the same room as Pitt? After all this time?

“Nope, I’ve never met him. And I think he owes it to me to at least introduce himself,” she says. At the time, two years before the release of Fight Club, Twain explains, it was a “very random lyric.” She once said she came up with it after seeing leaked naked photos of Pitt with his then-girlfriend Gwyneth Paltrow.

“And, actually, I hoped he’d never be in the same room as me because I’m a little embarrassed that I did that,” Twain adds. “I always thought, ‘What if he doesn’t like it? What if he’s offended by it?’ I’d rather just not run into him at all.”

All these years later, though, Twain says, “I think we’d both talk and laugh. Or I’d hope so, of course.”

Twain will turn 61 in August. Pitt is 62. And she has nothing to be embarrassed about. Especially not this summer, which sees the release of her latest studio album, her seventh, titled Little Miss Twain, out July 24. Starting in June, she’ll enter into a concert residency with Styles for 12 dates in London at Wembley Stadium.

First: the album, which harks back to her childhood, “who I was and where it started,” Twain says. It’s filled with so much of the soundtrack of her youth, including The Supremes, Dolly Parton, The Carpenters, Linda Ronstadt, The Eagles, Bread, The Bee Gees, Gladys Knight. There’s some banjo, some bluegrass, some acoustic guitar.

“It’s my whole scramble of music influences, where I’m from and who I really am,” she says. “It comes out of the pure joy of making music.”

It also comes from a time when Twain was 8 years old, already earning money by singing in bars, encouraged by her mom to sing. “I’d have school the next day,” she recalls. “I’m too young to be there. I’m tired. It’s full of smoke.” She makes it sound a bit like she was a young Gypsy Rose Lee. There are strippers, she remembers, on the stage too, and “when they’re stripping, I’m on a break. When they’re off, I’m onstage.”

“According to my mother, I’m the next Tanya Tucker,” Twain sings on the album. It’s not that she felt pressure from her mother to become famous, she says. “Fame was so far away as a reality. I wasn’t dreaming about fame. The dream was to make a living at singing.” Fame, she insists, “was my mother’s dream. That lyric is about how I will be famous someday, not according to me. By the time I figured [being famous] was even a remote possibility, she was not even here anymore. That’s how wide the gap is between her dream and my reality, which is kind of cool.”

Twain’s parents died in a car crash in 1987. Things had never been easy. “We were really, really poor,” Twain continues. “We’d have empty cupboards for weeks. I always thought, ‘If I get good enough at this, then we’ll always have food.’ I had really basic, naive goals.” Twain would contribute to the family income. “I could put gas in the car,” she says. By 13, she was already working at McDonald’s.

Still, returning to that moment for this album is a happy time. Zipping around on snowmobiles. Campfires. “I love looking at the pictures and reminiscing with my sister.” Twain says. “It’s a good feeling. I’m not sad about it anymore, and maybe that’s part of the timing, too. I’m also discovering my purpose in a lot of things. And songwriting is a big part of that journey.”

Since she’d just be turning in the latest album, Twain expected to take the summer off. She wanted to ride horses. To cook. (Lentil soup for her 25-year-old son, Eja; her special vegetable casserole of cheese, broccoli, cauliflower, peas and carrots for her husband, Frédéric Thiébaud.) Play lots of tennis. Write more music. “I take writing very seriously,” Twain says. Think about the jukebox musical of her songs that’s in development. Spend time between the Bahamas and Switzerland, where she has homes.

“I love the Canadian nature,” she says. “I love being in a tent. I love sleeping outside. I love cooking on a fire. I love the Exumas. I love the Caribbean. I love the waters. I love just being in the water and forgetting about the rest of life.”

To that end, Twain says, “I wasn’t planning on doing anything this summer. I’d already decided in my mind that I wasn’t getting on the stage.”

And then Styles reached out.

Styles has often covered “You’re Still the One” on his tours. It’s a favorite of his. So she went to see him in concert, and they met backstage. They exchanged numbers. A little bit later, he texted to ask if Twain would call his mom and wish her a happy birthday.

“He said, ‘She’s a big fan. She’s the reason why I even know who you are. You’re the soundtrack of my youth.’ So I give her a call and wish her a happy birthday, and we’ve just been friends ever since.”

Twain sees herself a “little bit more like an aunt” to Styles. At 32, “he’s just now at the age when I was just really getting big. I relate to him more now than I would have when he was younger. I know where he’s at, or where I imagine he’s at. He’s burdened with a lot of things that fame brings, but all the great things too. So we understand each other. I would never have done it for anybody else. It’s a really great match.”

Twain adds that “it’s a good coming together of people in this world. We’re just normal people, but we understand each other as normal human beings and as artists.” She also deeply appreciates Styles’ closeness with his mom. “There’s something really touching about that connection. He loves her so much. It’s adorable, and I just want to be around that. I want to cheer him on. He’s off on a big, big, big venture.”

But she can’t tour the whole world with Styles. “He has time for that, but I’ve got to prioritize things,” Twain says. “I have to live to 200 in order to do everything I want to do. I’ve got to get back in the studio. I’ve got other songs I need to write.”

Twain believes her mental health comes first. “It’s everything,” she says. “I try to be the best parent I can be, the best wife, the best friend, the best sister. I like making people happy. That makes me happy.”

Little Miss Twain, she explains, is a good marker of where she’s at in her life, of all she’s accomplished. “I’m proud of her. I’m proud of Little Miss Twain and her determination. She freaking did it.”

Hair: Frankie Foye Using Color Wow
Makeup: Ayami Nishimura
Nails: Elizabeth Garcia
Photo Assistants: Eric Hodgman, Sydney Fisher
Styling Assistant: Kyle Gleason
Tailor: Morgan Foote
Photographed on location at Corner Studio in New York City

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Featuring 13 national teams competing aboard identical F50 catamarans, SailGP redefined modern sailing through high-speed, wind-powered racing that reached speeds of more than 60 miles per hour. The championship traveled to some of the world’s most iconic waterfront destinations, including New York, where the competition unfolded against the dramatic backdrop of the Hudson River and the Statue of Liberty. To celebrate race weekend, The Ritz-Carlton brought the spirit of the sport ashore with a special activation at the Boathouse in Central Park. The iconic Boathouse was transformed into a gathering place for guests of all ages, who raced custom radio-controlled sailboats across the historic pond.

Guests also had the opportunity to reserve The Ultimate SailGP Experience package at The Ritz-Carlton New York, Central Park and The Ritz-Carlton New York, NoMad. The exclusive offering included premium on-the-water race viewing aboard an official spectator vessel, luxury accommodations, daily breakfast, transportation and commemorative gifts that enhanced the weekend’s celebration of sailing and hospitality. Together, The Ritz-Carlton and the U.S. SailGP Team created a memorable race-weekend experience that reflected a shared dedication to craftsmanship, innovation, and exceptional service—bringing the energy of elite competition together with the thoughtful luxury that defines The Ritz-Carlton.

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In recent years, the world of gaming has evolved significantly, with a particular focus on the online experience. Players are now able to engage in thrilling adventures from the comfort of their own homes. This shift has enriched the gaming landscape, providing various options for entertainment. Among these, the allure of Pokies Online stands out due to its engaging gameplay and potential rewards.

The Rise of Online Gaming

The rise of technology has played a pivotal role in the growth of online gaming. With high-speed internet and advanced graphics, players can enjoy a seamless experience that rivals traditional gaming methods. The convenience of accessing games at any time has attracted a diverse audience, making online gaming a popular pastime.

Why Choose Online Gaming?

Players are drawn to online gaming for several reasons:

• Accessibility: Online gaming can be accessed anytime, anywhere, allowing players to indulge in their favourite games without the need to travel.
• Variety: There is an extensive range of games available, catering to all types of players and preferences.
• Bonuses and Promotions: Many online platforms offer exciting bonuses that enhance the gaming experience, providing more chances to win.
• Community: Online games often have vibrant communities where players can interact, share tips, and build friendships.

Understanding Game Mechanics

To fully appreciate the thrill of Pokies Online, it is essential to understand the mechanics behind these games. They typically involve spinning reels, each adorned with various symbols. The aim is to land matching symbols on paylines to win prizes. With the introduction of modern technology, many online pokies now feature immersive themes and innovative bonus rounds, making gameplay even more exciting.

Strategies for Success

Though online gaming is primarily based on chance, employing strategic approaches can enhance the overall experience. Here are some strategies players can consider:

1. Set a Budget: Establishing a budget before playing ensures that you manage your funds wisely.
2. Understand the Game: Familiarise yourself with the specific rules and payout structures of the games you choose to play.
3. Take Advantage of Bonuses: Always look for promotional offers that can extend your playtime and give you more opportunities to win.
4. Play Responsibly: It’s crucial to maintain a healthy balance and remember that gaming should be a fun activity.

The Future of Online Gaming

As technology continues to advance, the future of online gaming looks promising. Innovations such as virtual reality and augmented reality are set to revolutionise the gaming experience, making it more interactive and engaging. Players can expect to see even more immersive environments, where they can truly escape into the worlds of their favourite games.

Conclusion

In conclusion, the rise of online gaming, particularly pokies online, has transformed the entertainment landscape. With a variety of options available, players can enjoy accessible, exciting, and potentially rewarding gaming experiences from the comfort of their homes. By understanding game mechanics, employing strategic approaches, and looking ahead to future advancements, both new and experienced players can fully immerse themselves in this thriving digital world.

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AERIN East Hampton

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For travelers flying between North America and Asia, that evolution is becoming increasingly visible. In March, Cathay Pacific launched nonstop service between Seattle and Hong Kong, marking the only direct connection between Hong Kong and the Pacific Northwest. The new five-times-weekly route joins a rapidly expanding North American network that now includes seven U.S. passenger destinations and nine across the continent. Less than a year after debuting nonstop service between Dallas Fort Worth and Hong Kong—the only direct route connecting Texas and Hong Kong—the airline has already increased flights to daily service, underscoring strong demand for premium long-haul travel.

But routes are only part of the story. Cathay Pacific is simultaneously rolling out one of the most ambitious cabin and lounge transformations in commercial aviation. This spring, Los Angeles became the third North American gateway—after San Francisco and Vancouver—to debut the airline’s new retrofitted Boeing 777-300ER cabins, featuring the highly anticipated Aria Suite Business class. The suites are paired with a reimagined Premium Economy cabin and refreshed Economy experience that aims to elevate travel across every class of service.

On the ground, the airline is doubling down on luxury hospitality. In 2026, Cathay Pacific will move into the highly anticipated new Terminal 6 at John F. Kennedy International Airport, where it plans to unveil its first dedicated lounge in New York—a nearly 10,000-square-foot retreat with direct gate access. That philosophy is perhaps best embodied at Hong Kong International Airport, where Cathay recently unveiled a redesigned version of The Wing, First at Hong Kong International Airport (HKIA)—its iconic flagship lounge originally opened in 1998. Created in collaboration with London-based design studio StudioIlse, the reimagined space is designed to feel more like an elegant home than an airport terminal. The reimagined lounge harmoniously blends contemporary design and residential comfort, retaining its warmth and familiarity, while introducing a more holistic approach to space, dining and service for elevated comfort and privacy.

Elsewhere in Hong Kong, Cathay’s newly redesigned The Bridge lounge reflects the airline’s emphasis on culinary storytelling. Divided into two wings celebrating Asian and international flavors, the lounge includes the carrier’s beloved Noodle Bar alongside The Nook, a new concept offering dim sum carts and Hong Kong-style street food. In First Class lounges, travelers can sample seasonal tasting menus from Mott 32, while Premium Economy and Economy passengers now have access to Cantonese dishes developed with Yat Tung Heen. The airline has also introduced “Chinese Classics,” a rotating Business Class menu highlighting beloved regional cuisines from across mainland China.

And the industry has taken noted. In 2025, Skytrax named Cathay Pacific among the world’s top three airlines, while Airline Ratings awarded it the industry’s first-ever 7-Star PLUS safety rating. The carrier also earned recognition for World’s Best Economy Class and World’s Best Inflight Entertainment—proof that even as Cathay leans harder into luxury, it remains focused on elevating the experience for every traveler onboard. As global travel continues its premium renaissance, Cathay Pacific appears intent on proving that luxury in aviation isn’t simply about exclusivity. It’s about detail, design, hospitality and creating a sense of place long before passengers ever arrive at their destination.

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Which is exactly why where you stay matters.

Set just outside the center, La Joya Sayulita offers a more considered way to experience Sayulita. Perched above a quiet stretch of coastline, it trades density for space: open-air villas, clean-lined design and uninterrupted Pacific views. You still have full access to town, but on your terms, returning to something calmer and private. It’s that balance that stands out, and one the founders John Huddart and Christina Gooding have been deliberate about shaping, keeping the experience intimate and grounded in the landscape rather than the scene.

DuJour spoke with founder Christina Gooding to discover what makes it so special.

What’s the most requested room at the property?

The most requested is the Villa, set along the beach with uninterrupted views over the Pacific. It’s the only accommodation directly on the beach, offering a rare sense of immediacy to the ocean. Guests consistently gravitate toward it for its privacy, elevation, and the feeling of being fully immersed in the landscape.

What makes it so special?

It’s the combination of complete seclusion and direct connection to the ocean. Mornings open with soft light over the water, while at night, the rhythm of the waves becomes almost meditative. The Villa spans two levels, with vaulted ceilings, a generous living space, and a chef-ready kitchen that opens onto walkout terraces with private loungers. Each of the three bedrooms is oriented toward the Pacific, so you can take in the sunset from every room. It’s less about traditional luxury and more about a deeper, elemental intimacy with the landscape.

What is the nightly rate for the villa?

$1200-1500 USD

What’s an interesting tidbit about the hotel that speaks to its status as an icon? 

What makes La Joya truly unique is the balance it strikes. The design is simple yet thoughtful, elegant without being excessive. It creates a rare environment where jungle and ocean meet in a way that feels both grounded and elevated. It’s a different kind of luxury, one that isn’t about perfection, but about intention. Guests from all backgrounds feel welcome here. The service is warm and genuine, never forced. The team leads with care, and that translates into an atmosphere where people can truly relax. And while we’re only minutes away from Sayulita, the property feels completely removed, as if you’ve stepped into a much more remote and peaceful world. That contrast is something guests often remember long after they leave.

What’s your personal favorite room? Why?

Each room has its own distinct character and relationship to the ocean—no two views are quite the same. Some feel more expansive, others more tucked away and intimate. If I had to narrow it down, it would be Bungalow 6. It’s quietly striking in its details. It was also the first structure built on the land, so it holds a special place in my heart. You wake up to the sound of waves below, with panoramic views from bed and terrace—it feels less like a hotel room and more like your own private perch above the coastline.

What special perk or amenity do you offer that no one knows about?

If there is one defining feature of the hotel, it is the restaurant, Tekuamana. The concept is rooted in simplicity: fresh, thoughtful, farm-and sea-to-table cooking that respects its ingredients, with sourcing that is organic whenever possible. But what sets it apart is the level of intention behind it. Tekuamana operates as a true scratch kitchen—we bake our own bread daily, prepare house-made ferments, and cook without seed oils, letting the quality of each ingredient speak for itself. The bar follows the same philosophy, featuring small-batch producers and a curated, considered approach to what’s served.

What’s your favorite design element on property?

How the architecture works with the land rather than defining it—everything follows the natural contours of the terrain, creating a sense of flow and quiet restraint throughout the property. There’s an intentional lightness to it, where nothing feels imposed and each space reveals itself gradually.

How about one more fun fact about the property?

Tucked into the property is a contrast therapy circuit—sauna, steam, cold plunge, and an ocean-view hot tub. Even the sauna and cold plunge are positioned to take in the ocean, which makes the experience feel both grounding and expansive at once. Guests often discover it once they arrive, and it becomes a highlight of their stay.

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Cucina by Casa Tua at One Hanson Place

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A blepharoplasty is done in-office with local anesthetics and sedation in under a few hours. Within two weeks armed with oversized sunglasses, your sutures are removed and you’re fully back in action. “Initial swelling and bruising are most noticeable during the first one to two weeks, and many patients feel comfortable returning to daily activities/work within about seven days,” says Dr. Schwarcz. By the two-week mark, the majority of visible signs of surgery have improved significantly and the results are evident between one and three months after. But there is no one-size-fits-all solution. “Successful rejuvenation depends on correctly identifying the underlying cause—whether it is excess skin, volume loss, or brow position,” says Dr. Schwarcz. “One of the most notable trends is a shift toward combination approaches that address the eye area more holistically. Rather than treating the eyelids in isolation, patients are increasingly combining blepharoplasty with brow lifts, laser treatments, or other skin-quality procedures to achieve more balanced results.”

But when is a blepharoplasty not sufficient? “When the underlying issue is actually brow descent,” says Dr. Schwarcz. “When the brow sits low, it can push down on the upper eyelid and create the appearance of excess skin. In these patients, performing a blepharoplasty without addressing the brow can lead to an imbalanced result. A brow lift becomes an important adjunct when there is noticeable brow ptosis, particularly along the outer brow, or when patients are subconsciously raising their forehead to compensate. Treating both areas together often will give a more natural and comprehensive rejuvenation.”

For mild droopiness, not excess skin, Botox and other neurotoxins, when injected properly and by a skilled professional, can lift the brows, causing the eyelids to appear less saggy and the eyes more open. “However, neurotoxin injections are not a suitable solution for patients who have a lot of excess skin on and around the lids, or ptosis (a condition in which the eyelid muscle is weak),” says board-certified dermatologist Dr. Dendy Engelman of the Shafer Clinic in Midtown Manhattan. What about other injectables? “For patients who have hooded eyes and/or mild drooping, filler can also be an appropriate solution,” says Dr. Engelman. “When injected into the correct areas of the face, it can create a lifting effect that raises the lid and opens up the eye area.” Unlike injectables that require regular maintenance, surgical eyelid rejuvenation offers results that can last for years, even decades. “Non-surgical options such as laser skin tightening and dermal fillers can help create a mild lifting effect or improve skin quality, particularly when the issue is related to brow position or early skin laxity rather than true excess eyelid tissue,” says Dr. Schwarcz. “However, when there is significant loose skin or protruding fat causing hooding, these treatments cannot physically remove or reposition tissue. In these cases, a blepharoplasty remains the only definitive solution.” Perhaps the greatest appeal of blepharoplasty lies in its longevity.

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Dolce & Gabbana‘s new book Arte Moda (Rizzoli) book richly illustrates all the artistic sources that inspire the fashion house: from classical art to Byzantine mosaics, from the great Italian Renaissance masters, such as Leonardo, Botticelli, Titian, and Raphael, to the various contemporary movements, like Dalí’s dreamlike surrealism, Jackson Pollock’s Action Painting, Basquiat’s street art and Keith Haring’s graffiti. To celebrate, beginning May 7, 2026, 50 limited edition copies of the Dolce & Gabbana tome will be available for purchase at Rizzoli New York. The book is also available for pre-order.

Dolce & Gabbana Arte Moda (Rizzoli)

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What drew you to this particular play and this character? Had you known about it before?

I hadn’t seen or read the play or the movie before. In fact, I still haven’t seen the movie— I wanted to approach the role without being unduly influenced. To be honest I didn’t really get the play on first reading. I didn’t understand the tone or the character’s motivations. But there’s a tenderness and sincerity to the play that I found refreshing and compelling. When I met with our director Ian Rickson, he told me the origin story of the play: Tom Noonan had been playing all these bad guys in movies and had developed a nervous facial twitch and wasn’t able to be on camera, so he focused on writing. As someone who has played a lot of bad guys I identified with him. Don’t get me wrong, villains can be very fun to play, but that cynicism and cruelty take a toll. It’s been a joyful experience to play someone so sincere and curious.

Where were you in 1992 when this play is originally from? Did you care about the theater then? Did you think you’d be an actor?

In 1992 I was a high school sophomore at LaGuardia High School for the Arts here in Manhattan. Somehow, I had the self-awareness (or arrogance) to know I was going to be an actor. In fact, I remember saying at the time that I WAS an actor— that I didn’t need someone to pay me to act to hold that identity. I was very lucky to go to lots of theater in New York from an early age. I was decidedly uninterested in musicals, but I was obsessed with off and off-off Broadway productions. Much of it went over my head, but I had an insatiable appetite for it. Fame was not the goal, nor did I think it was likely. I wanted to be known and respected enough to keep working.

How do you think this piece plays differently in 2026 than when it was written?

I think the play is pretty timeless. Unfortunately, loneliness and alienation don’t go out of style. I do think awareness of gender roles has shifted. There are moments when my character appears to be mansplaining when I can feel the audience turn against me. But what I love about the play is that the audience is constantly making judgments about these characters that are then subverted.

What’s it like doing a two-hander with Cecily Strong?

I feel so lucky to have Cecily as a partner. I was only familiar with her work on SNL, which was brilliant and hilarious. Her “Girl You Wish You Hadn’t Started A Conversation With At A Party” character and Jeninne Piro are all-time classics. But she has just as much access to pathos as to humor. She seems incapable of playing a false moment. Like playing tennis with a great player, she makes me better.

Talk to us a little bit about that amazing scene where you listen to her read the first chapter of her book. It’s so much about reacting.

I remember first reading that story and thinking it would be difficult to stay present throughout it for every performance. But it’s been such a joy and a privilege every time. It’s such an insane story, and she tells it so well, fully present, and seeming to find new things every time. The audience can get kind of wild during that speech, often out of discomfort, so I see my job as helping to keep the focus on the story and Cecily.

What are the benefits of doing a short run like this?

Taking on a long run changes the calculus in terms of risk-taking. If you know you’re going for months and months of eight shows a week, you’re going to want to know it’s going to be great. This can lead to making safer choices in roles and projects. As I said, I didn’t entirely get this play or this character when I signed on. There was a very real chance that it wouldn’t work, that I wouldn’t be well-cast, or that audiences would be dumbfounded by it. But because it was a short run, and we’re not doing a grueling eight-show week, I figured it was worth the risk. I think it’s turned out great, and audiences seem to really be connecting with it, but it certainly wasn’t a given.

Do you imagine Michael and Jackie go on another date?

Apparently, Tom wrote a sequel that takes place 17 years later. They married, had a child and immediately divorced. No one can find that play, but I hope someone does. I’d love to read it.

What’s something you’re recommending to people now to read, watch or go see?

I’m not a reality TV guy, but I’ve been watching Love on The Spectrum. I can only watch one episode at a time. I find it so emotionally overwhelming. And I’ve been on a Lauren Groff jag. I’ve read four of her books this year. I am currently reading Florida, a short story collection from a few years ago. She writes equally beautifully about both the spiritual and the profane.

Corey Stoll and Cecily Strong in What Happened Was

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She turned them down.

“I said, ‘Hell to the no,’” Henson recalls in a phone conversation. “I can sing, but that’s every night, eight shows a week of singing. I can’t do that. I chickened out. I tried to run from Shug Avery.”

Henson may have tried to run from Shug Avery, but the character wound up catching up with her. She scored the part in the film version of the musical in 2023. The New York Times said it was a “role she seems born to play.”

Broadway has wound up catching up with her, too.

This spring, she made her long-in-the-making Broadway debut in a new production of August Wilson’s Joe Turner’s Come and Gone, the second play in his decade-by-decade American Century Cycle. First staged in 1984, it takes place in 1911 at a boarding house run by Seth Holly (here played by Cedric the Entertainer) and his wife Bertha (Henson).

“It’s crazy that something written in the 1980s is still relevant today,” says Henson a few days before previews are set to begin. “You’re talking about identity and self-preservation and people displaced looking for family members. It’s so poignant. It’s so spot on. Every audience of every color will understand and enjoy this play.”

Director Debbie Allen, the renowned actress and dancer, called Henson to see if she’d consider the part.

“I hadn’t read it in a while, but Debbie said, ‘Taraji, this part has your name all over it,’” Henson says. “The universe picked me for this role and this play and this time. It was meant to be, clearly.”

A lot of worlds collided at once.

First, Henson had studied and performed Wilson’s work when she attended Howard University. The playwright, who died in 2005, came to their class to speak to Henson and her classmates.

Allen is also an alum of Howard University. When Henson was six months pregnant and wasn’t sure how to finish school, she was awarded the first Dr. Andrew Arthur Allen scholarship, created by Allen and her sister, Phylicia Rashad, to honor their father and showcase the most “dynamic triple threat coming out of Howard.”

Then, Allen played Henson’s mom in The Division, one of Henson’s first big television roles; she directed her on the sitcom All of Us; and then directed her again during Henson’s career-defining run as Cookie on Empire. Meanwhile, Rashad played Cookie’s arch nemesis on a season of Empire, too.

Recalls Henson of the moment she got Allen’s call, “I thought, ‘I’ve got to be crazy to say no to this.’”

Allen sees Henson’s return to the stage as a kind of homecoming. “This is where she learned her craft. This is where she soared as a very young woman,” says Allen, who describes casting Henson as a “godsend for me as a director.” “Her work ethic is beyond extraordinary and exemplary, as is the joy she brings to work every day. The language and poetry of August Wilson is in her DNA, in her blood memory.”

Cedric the Entertainer first worked with Henson in the 2007 movie Talk to Me, then played her husband in 2011’s Larry Crowne. “She’s the realest person that there is,” he says of his friend. “There’s no part of her personality that isn’t big and honest and beautiful. That’s what makes her such an amazing actress, She makes you feel it, no matter what the emotion is that she’s giving you. And to see her do that from the stage is just really powerful.”

Henson is nervous about making her Broadway debut, but “the nerves are good,” she says. “I’m excited.”

In film and television, “I can turn it on and off. I can say, ‘We got this shot, I’m going to go to my room,’” she adds. “But in the theater, you’ve got to stay present. You’re always there. The show must go on. That’s in me. That’s how I was trained. I haven’t done it in a long time, but I feel more in my skin onstage than on camera.”

Being on Broadway is more immediate than the film and TV work she’s done, which includes, recently, the hugely successful Netflix thriller Straw (written and directed by Tyler Perry); appearing as the Scarab on The Masked Singer; and executive producing the reboot of Star Search.

“You know what I can’t get used to? Seeing my face on the marquee of the Barrymore Theatre,” says Henson. “It’s different than seeing your face on a billboard. This is something you’re working on every day. Sometimes, by the time the billboard goes up, it’s in the past. You’ve already done it. You barely remember doing the project.”

But it’s been nice to be in New York, a change from her usual home in Los Angeles. Henson traveled east with her two French bulldogs, Buddha and Zen. “They haven’t grown into their names yet,” she says. “Zen is the baby, but he’s not Zen yet.”

And she brought a lot of her wardrobe with her.

“In Los Angeles, no one cares. Not one person. But people pay attention to fashion in New York,” Henson says. “I shop all the time. I’m high and low: local designers, a vendor on the street, some person on Instagram. I could shop at a drugstore. Here in New York, I get to wear all the things I purchased, and people pay attention to me just going to work.”

Henson says that despite all her new opportunities, she misses playing Cookie a bit, “but I think we did it with her. She was done,” she says. “If Cookie was still on the air, she would be wearing Schiaparelli gloves.”

Offscreen, Henson says, “[Schiaparelli creative director] Daniel [Roseberry] has me in a chokehold.”

Cookie was an incredibly influential character not just on Henson, but on the entire television and film industry. “Debbie Allen likes to say, ‘You got everybody jobs with that role,’” Henson says. “I’d read scripts and it would describe a character as ‘a Cookie type.’ That was amazing. So many people were looking for Cookie.”

The character also helped Henson offscreen; playing her helped her “learn what my power was.” It led her to create a beauty line called TPH, which, like Cookie, she recently took full ownership of after launching in 2020 with an incubator company.

“I’m ready to drop all the new products,” she says. “I’m getting excited.”

And then there’s her Seven Daughters wine, which for now features two effervescent varieties. “I hated wine the first time I tasted it,” Henson says, “so it’s a great way to introduce new wine drinkers. It’s light, sweet and easy on the palate.”

Being back in the rehearsal room and getting onstage has made Henson reflect a lot on her career. When she was talking to her younger co-stars, over a few glasses of Seven Daughters wine, “I said to these babies, ‘I had more fun when I was broke and chasing the dream. I think it was more fun then.’”

Now, she says, “I know too much about the business and what goes on behind the curtain. It’s more fun when you don’t know and you’re dumb to the industry.” She says her advice to her younger co-stars has been to be “multifaceted.” To not ignore changes in technology like AI and to never stop performing onstage.

It’s advice Henson is planning to take herself—at least, the performing part.

“I told Debbie yesterday, ‘Debbie, I like it here in New York. I like this feeling I have here onstage. I don’t think I want to go back to Hollywood. I think I want to stay here.’”

Hair: Ursula Stephen
Makeup: Keita Moore
Photo Assistants: Eric Hodgman, Joao Otavio
Styling Assistant: Jonathan Baez
Tailor: Jacqui Bennett For Carol Ai Studio
Photographed on location at Corner Studio in New York City

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Introdução aos Cassinos Virtuais

Os cassinos online têm ganhado cada vez mais popularidade entre os jogadores brasileiros. Com a conveniência de jogar a partir de casa, sem precisar se deslocar até um cassino físico, a experiência se tornou mais acessível e emocionante. Entretanto, é essencial entender o funcionamento desses sites e como garantir uma experiência segura e divertida.

Como Funcionam os Cassinos Online?

Os cassinos online operam através de plataformas digitais que disponibilizam uma variedade de jogos de azar. Isso inclui máquinas caça-níqueis, roleta, blackjack e muito mais. Os jogadores podem acessar esses jogos de qualquer lugar, desde que tenham uma conexão à internet. A maioria dos cassinos oferece versões gratuitas dos jogos, permitindo que novos usuários experimentem antes de investir dinheiro real.

Segurança e Licenciamento

Um dos aspectos mais importantes ao escolher um cassino online é a segurança. É fundamental optar por plataformas licenciadas e regulamentadas, que garantem práticas justas e a proteção dos dados pessoais dos jogadores. Sempre verifique se o cassino possui um selo de licença de uma autoridade reconhecida, como a Malta Gaming Authority ou a UK Gambling Commission.

Variedade de Jogos Disponíveis

A diversidade de jogos em um cassino online é um dos fatores que atrai os jogadores. Desde jogos clássicos até os mais modernos, a variedade é vasta. Aqui estão alguns dos tipos de jogos que você pode encontrar:

• Máquinas Caça-Níqueis: Oferecem uma experiência rica em gráficos e temas variados.
• Jogos de Mesa: Incluem opções como blackjack, roleta e pôquer, que desafiam a habilidade dos jogadores.
• Jogos Ao Vivo: Proporcionam uma interação real com dealers, criando uma atmosfera autêntica de cassino.

Bônus e Promoções

Os cassinos online costumam oferecer uma série de bônus e promoções para atrair e reter jogadores. Esses bônus podem incluir bônus de boas-vindas, rodadas grátis e programas de fidelidade. É importante ler os termos e condições associados a esses bônus, pois podem haver requisitos de apostas que devem ser cumpridos antes de retirar os ganhos.

Dicas para Jogar em Cassinos Online

Ao se aventurar em um cassino online, aqui estão algumas dicas úteis:

1. Defina um Orçamento: Determine quanto você está disposto a gastar antes de começar a jogar.
2. Escolha Jogos que Você Conhece: Familiarize-se com os jogos antes de apostar dinheiro real.
3. Jogue com Responsabilidade: Sempre jogue por diversão e evite apostar mais do que você pode perder.

Conclusão

Explorar o mundo dos cassinos online pode ser uma experiência divertida e emocionante. Contudo, é essencial fazê-lo de forma segura e responsável. Ao seguir as dicas mencionadas e escolher plataformas confiáveis, você poderá desfrutar de jogos emocionantes, como cassinos online, com segurança e tranquilidade.

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Spring is Blooming at Rockefeller Center

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DuJour spoke with Jan Schoch, the hotel’s owner and general manager to discover what makes it so special.

A guest room

What’s the most requested room at the property?

Our Deluxe Double King rooms—specifically Room 1303 on the third floor

What makes it so special?

It’s a corner room, and that position makes all the difference. You have an open view toward the Alpstein mountains on one side, and the softer, rolling Appenzell hills on the other. It feels both expansive and very grounded at the same time. For many of our guests, the appeal is not about size alone, but about atmosphere. The materials are honest—timber textiles, and natural finishes—and you can feel that the architecture is not applied, but structural. The fabrics by Jakob Schlaepfer add a quiet layer of detail, connecting the room back to the region’s textile heritage. It’s a room that reflects what we are trying to do at Huus Quell create something that is calm, precise and deeply rooted in place, without excess. The rooms are built almost entirely from moon wood—timber harvested according to lunar cycles, which gives it a different density and longevity. You can feel that in the atmosphere; it’s quieter, more grounded. At the same time, there’s a layer of refinement through the textiles by Jakob Schlaepfer in St. Gallen. They bring a sense of precision and craft that is very specific to this region. It’s not decorative—it’s part of the identity of the space.

What is the nightly rate for this suite?

From $600

Quell Spa

What’s your favorite design element on property?

The ceiling of the Botanicum Bar. It responds in real time to the movement of the clouds above the hotel—translated into light and sound. It’s subtle, but it creates a quiet connection between what is happening outside and what you feel inside.

What’s an interesting tidbit about the hotel that speaks to its status as an icon?

Sustainability is treated as a structural principle, not an added feature. The entire building is conceived as a long-term system—from the timber construction and carbon storage to the energy concept and the way we work with local producers. It’s not about making a statement; it’s about building something that will endure.

What special perk or amenity do you offer that no one knows about?

We are currently preparing to introduce spring water sourced directly from our own well. It’s a small detail, but an important one—something very immediate and connected to the landscape.

The rooftop lounge

What’s your personal favorite room? Why?

I tend to come back to the suites on the third floor. They have a different sense of proportion—more space, more light—and a separation between living and sleeping that allows you to settle in more fully. But again, it’s not only about size. The same principles apply: moon wood, regional textiles, a certain restraint in the design. From there, guests move naturally into the spa, which becomes an extension of the room rather than a separate experience.

How about one more fun fact about the property?

There is a quieter layer of Feng Shui integrated throughout the hotel. You see it in the placement of water, in the use of stone and crystals, and in how spaces open and close. Most guests don’t immediately notice it, but they tend to feel it.

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In town, the mood follows. Trolley bells hum past pastel-shingled houses in shades of conch pink and seafoam. Bars spill open onto the street with live music that starts in the afternoon and never quite stops. There’s a lingering trace of Jimmy Buffett in the air—easy, sunny, slightly irreverent. Flip-flops are standard. Linen leans preppy. You’ll see equal parts old Florida families and Lilly Pulitzer prints, all orbiting the same essentials: a good drink, a slice of key lime pie and nowhere urgent to be.

But part of what makes the Florida Keys work is the approach. The drive down the Overseas Highway sets the tone before you arrive—a single ribbon of road suspended between water and sky. It’s flat, exposed, and mesmerizing. Along the way: tiki huts, bait-and-tackle shops, weathered marinas and the occasional Ron Jon–style outfitter. The further you go, the more the pace drops. The Upper and Middle Keys—more spread out, less performative—offer pockets of stillness if you’re willing to linger on the way back.

The pool at Perry Hotel & Marina Key West

TO SLEEP

The Perry Hotel & Marina Key West actually sits on Stock Island—just far enough from Duval Street to feel intentional. It’s not trying to recreate the Key West scene but sidestep it. The hotel is built around a working marina, which means you wake up to the quiet mechanics of the place: sportfishing boats heading out early, ropes hitting docks, crews moving with purpose. It’s less curated “island life” and more the real thing, slightly refined.

Rooms are pared back in a clean, coastal way. It’s the perfect setting to welcome you back from a boat or a day exploring Key West—sunburned, a little tired and ready for a margarita at its outdoor bar, The Salty Oyster. Downstairs, the pool scene hums with families, couples and those looking for some shade and respite from Key West fanfare, which is just a 10-minute drive away.

By the time you pull into Marathon Key’s Tranquility Bay Beachfront Hotel and Resort one hour north, everything feels more relaxed. The property unfolds low and wide along the shoreline, where rows of white beach houses line up against the sand or one of three resort pools. Each one feels slightly separate and private, as if the whole place was designed to avoid the feeling of a hotel altogether. There’s no central scene to plug into, no pressure to participate. Just sand, water and enough distance between you and the next person to forget they’re there. Inside, it’s airy and straightforward—living rooms that open onto the beach, kitchens you may or may not use, bedrooms in tones of teal and white. Doors stay open. Shoes come off and don’t go back on until dinner.

Tranquility Bay Beachfront Hotel and Resort

TO EAT

Key West eating is less about chasing reservations and more about following a rhythm—something sweet in the morning, something fresh by the water, something casual as the sun goes down. And at the center of it all: key lime pie.

Start there. Blue Heaven is the classic. It’s airy, slightly chaotic and known for its towering meringue-topped version. Or slip into Moondog Cafe, where the bakery leans a little more low-key but just as satisfying. Either way, this is non-negotiable.

For a special occasion dinner, head east to Dorada at Casa Marina (inside Casa Marina Key West). It sits on one of the island’s few true sandy beaches, and the setting does most of the work—oceanfront, breezy, and just removed enough from the center of town to feel like you’re worlds away.

On the opposite side of the island, Lolita’s Coastal Cocina at Opal Key Resort & Marina delivers a completely different mood. It’s lively, a little louder and perfectly positioned on the marina. Mexican dishes, strong margaritas, and a front-row seat to sunset make it an easy place to settle in and stay—ideal for people-watching as boats drift back in.

If you’re heading out of Key West—or coming back up the Keys—make the detour count. Burdines Waterfront is worth it for a laid-back lunch or dinner: blackened mahi sandwiches, its famous fries, cold drinks, deep-fried key lime pie and a no-frills marina view that feels very much of the place.

A dish from Lolita’s Coastal Cocina

TO DO

There’s really only one thing to do here: get out on the water. Everything else is secondary. From Key West, that can mean a sunset sail or a laid-back booze cruise that drifts through the Gulf of America (yes, that’s its name) before anchoring at a shallow sandbar where the water is clear, waist-deep, and lined with boats of people all doing the same thing.

If you want something more intentional, head up toward Marathon and book a day fishing with a local captain. We chartered a boat with Two Conchs Sportfishing, where with “Scuba Steve Bellovich” we caught more mahi-mahi and groupers than we knew what to do with. It’s less about the catch, more about the experience: long stretches of open water, a cooler on board, and the kind of quiet that only happens once you’re fully offshore.

Back on land, keep it simple. Walk through the gardens at the Ernest Hemingway Home & Museum, then stop for the obligatory photo at the Southernmost Point Buoy—equal parts landmark and ritual. Hop on the trolley once, just to orient yourself, then wander. And if you need a break from the sun, duck into Books & Books, Judy Blume’s bookstore, which feels exactly like what you’d want it to be: thoughtful, slightly tucked away and worth lingering in.

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Co-owners Carla and Antonio Sersale are third-generation hoteliers who, with their two sons, run the Positano property, oversee the family’s extensive art program, oversee the Emporio Sirenuse lifestyle brand (the ceramics are exquisite), and run multiple bars and restaurants that are always in demand.  Their high-touch approach to hospitality has been a winning formula for 75 years, and the only thing missing was a beach club.  That problem has been solved with the addition of Le Sirenuse Mare, a 27,000-square-foot property complete with a 180-person breezy restaurant, two stylish bars, and a new Emporio Sirenuse boutique. A wide pebble beach with two jetties welcomes guests to linger—preferably on one of the club’s discreetly chic sun beds, under a brightly colored canvas umbrella.

Visitors are spoiled for choice across the club’s three sea-facing levels: from Rose’s Bar—so named for British artist, Rose Wylie, who Pineapple sculpture graces the authentic beach-bar setting—to the stunning main restaurant with its pergolas made of local chestnut and bamboo bound with fishing twine. The food served —from the area’s celebrated spaghetti alla Nerano with zucchini and provolone, to blocks of housemade mozzarella—are served on the new Ànemos ceramic service which is fired by hand in the nearby town of Vietri and is also available for purchase in the curated shop.

Much like at Le Sirenuse in Positano, contemporary art and artisanship play starring roles at the beach club as well. From a striking white clay fountain by Rome-based sculptor Giuseppe Ducrot that dominates the upper bar terrace to Mexican artist Bosco Sodi’s striated Caryatides sculpture, to Alba Clemente’s playful painted tiles that pop up throughout the property, the club is an aesthetes dream. While the focus is clearly on sun and the outdoors, the spaces by Architetti Artigiani Anonimi studio are sublime as well. Le Sirenuse Mare’s architect Annarita Aversa fuses art and design at every turn. The landscape is of the place, too, as envisioned by Italian landscape architect Paolo Pejrone who has infused the area with fragrant orange blossom, jasmine and abundant citrus trees. From mid-morning to sunset, Le Sirenuse Mare promises to be the most coveted reservation—or chaise longue—on the Amalfi Coast so you’ll want to book early to enjoy languorous la dolce vita days. Cin Cin!

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Materiality plays a central role. A mix of vegan and leather options reflects a modern sensibility, while thoughtful color palettes and subtle prints add dimension without overwhelming the form. Price-wise, Nahall sits comfortably in the contemporary space, with most pieces priced under $500. It’s a strategic positioning—accessible enough to invite discovery, but considered enough to maintain a sense of rarity. That rarity is reinforced by the brand’s small-batch production model and boutique distribution, a deliberate move away from mass-market saturation in favor of something more intimate.

In an era where so many brands are engineered for virality, Nahall’s appeal lies in its restraint. It’s not chasing the moment—it’s building a wardrobe staple. A handbag not just as an accessory, but as a companion piece: functional, expressive and quietly luxurious. Like the “little plant” it’s named for, Nahall is still growing. But its roots—personal, purposeful and deeply grounded—suggest a longevity that feels increasingly rare.

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The space is defined by a careful layering of materials—velvet, bouclé, suede and lacquered finishes—combined with polished and satin metals. Furnishings and decorative elements contribute to a richly layered yet coherent environment: pieces by Hervé Van der Straeten, B&B Italia and Knoll are set alongside Louis XIV and XVI antiques, modernist lighting and art. These include lithographs by Picasso and Poliakoff, a work by René Gruau, as well as original sketches and collages by Roger Vivier. A bespoke Volabile chandelier by Christel Sadde, interpreted by the artist with the silhouette of a Vivier shoe, anchors the entrance. Central to the client experience is a focus on Roger Vivier’s bespoke services, expressed through the introduction of Atelier Vivier, the Maison’s made-to-order offering.

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At the center of the collection is The Perfect Suit, including the Perfect Suit Jacket ($395) and Perfect Suit Trouser ($325) offered in classic Midnight and Brown, alongside the relaxed Perfect Trouser in Sand ($350). The capsule also spotlights elevated wardrobe staples such as The Perfect Shirt ($195) in White and Blue, a striped statement version ($275), the Perfect Pant ($325), and the Perfect Robe ($395). Rounding out the offering is the Perfect Shirt Dress with Slip ($495), an effortless piece that embodies La Ligne’s signature approach to polished ease. The collection further expands on the brand’s everyday essentials with a selection of casual staples, including the Perfect 10 Tee ($135), the Perfect Breton ($115) in White/Black and White/Cobalt, the Perfect Track Pant ($275) in Navy/White, and the Perfect Jean ($250).

Knitwear—a category synonymous with La Ligne since its earliest days—appears in the Perfect Sweater ($275), offered in Ivory, Navy, and Ivory/Navy Stripe. To bring the collection to life, La Ligne turned to Connie Britton, photographed in Los Angeles by Zoey Grossman and styled by Alex Harrington. “Reaching ten years is a meaningful milestone for us,” says Howard, Melling and Macaulay. “The Perfect 10 celebrates the pieces that define La Ligne—timeless essentials that feel both polished and effortless and that our community returns to again and again.”

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DuJour spoke with Graeme Benn, the hotel’s general manager to discover what makes it so special.

JW Marriott Parq Vancouver

What’s the most requested room at the property?

The one bedroom suites

What makes it so special?

Designed as serene retreats, our one bedroom suites offer a graceful separation of living and sleeping spaces, ideal for unwinding or entertaining with ease. Expansive, picture-frame windows showcase a sense of place. A soothing coastal palette and warm wood accents pair with contemporary furnishings to cultivate quiet luxury, while marble clad bathrooms, deep freestanding soaking tubs and thoughtful amenities ensure every stay feels at home and immersed in luxury.

What is the nightly rate for this suite?

From $325

The Parq Villa terrace

What’s your favorite design element on property?

The Parq Villa’s double height floor-to-ceiling windows flood the space with soft, natural light and opens to a 600-square-foot private terrace, creating an effortless blend between indoors and outside living. From the exterior, the hotel’s copper toned glass façade offers a warm, distinctive glow and an elegant feature to Vancouver’s skyline.

What special perk or amenity do you offer that no one knows about?

Our location and connection to the surrounding neighborhoods sets us apart in terms of our guest experience, especially when it comes to world-class entertainment and sporting events in Vancouver. BC Place, a global stage for Vancouver’s major moments, was the final stop of Taylor Swift’s The Eras Tour and a host venue for the upcoming 2026 FIFA World Cup. Not only can you enjoy the view of the cloud-like roof and twinkling lights from many of our rooms, but guests can also walk from their suite to their stadium seats in under five minutes.

The Sky Suite Harbour View bedroom

What’s your personal favorite room? Why?

Our signature Sky Suites. They truly reflect our property’s ethos with a calm, residential experience with a spectacular perspective. These two-bedroom corner suites feature 180-degree panoramic views of False Creek, BC Place, and the snowy peaks of the North Shore Mountains. Expansive living and dining areas, a private media room, and spa style baths, all accented with marble and warm wood create an environment of quiet sophistication—perfect for intimate entertaining or calm moments that feel like you’re floating above the city.

How about one more fun fact about the property?

We’re home to one of Vancouver’s largest outdoor green spaces: a 30,000-square-foot park located on the sixth floor with 200 native pines and 15,000 local plants. It’s an urban oasis that lowers the property’s carbon footprint, while providing guests with an accessible reprieve in nature. Our unique outdoor spaces also include the rooftop JW Garden, perched high above the city on the 17th floor. This serene garden cultivates herbs, edible flowers and pollinator‑friendly botanicals, supported by our resident honeybee hives. These organic ingredients thoughtfully infuse Spa by JW wellness journeys, seasonal menus and handcrafted cocktails, bringing a taste of Vancouver to every experience.

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It makes sense: He’s had some serious experience. The dashing 38-year-old British actor is perhaps still best known for his smoldering Duke of Hastings on the first season of Netflix’s Bridgerton, which set Christmas 2020 ablaze.

“I check in every now and then [on Bridgerton] because I have a lot of friends there and people I love, and they do wonderful work,” he says of the show, which continues to be a smash hit in its fourth season, despite Page’s absence. “I’m not fully up to date, but I know enough not to be running around asking anyone to be my mistress any time soon.”

It’s taken Page five and a half years to return to the genre. But he finally has, Italian style, in You, Me & Tuscany, out in theaters this month from Universal. In a 2026 twist on Roman Holiday, he plays Michael, a lonely winemaker in central Italy who falls for the charms of Anna (Halle Bailey), an American chef who shows up from New York, pretending to be married to his cousin Matteo.

Don’t worry. It will all make sense when you see it on the big screen, which Page says was integral to his involvement in the project.

“We haven’t really seen romantic comedies in cinemas lately,” says Page, acknowledging that movies like You, Me & Tuscany have, over the past decade, become a staple of streaming services like Netflix, Peacock and Amazon Prime. “We’ve gotten into the habit of watching them at home, so I wanted to participate in that landscape coming back into bloom.”

The first time he watched the movie was at the Universal Studios screening room in central London. He was alone save for a security guard who’d taken his phone away “so I didn’t film the movie,” Page says, conceding it was a “very cold environment to see this type of film. Two guys who don’t know each other in a dark room.”

“But within about five minutes, I heard the first chuckle come from behind me,” Page recalls. “It was just a free, almost childish giggle. That gave me permission to chuckle and giggle. And now there are these two strangers—two fully grown men who have escaped from this busy concrete world—chuckling and giggling and enjoying this escape together, giving each other permission to do that. I found that to be an incredibly beautiful thing.”

It’s why Page is particularly thrilled that audiences will be able to experience the movie together, in public and on the big screen. “They’re going through something together,” he says. “It feels like an event.”

Page’s last few films, like the spy thriller Black Bag opposite Cate Blanchett and Michael Fassbender and the big-screen Dungeons and Dragons adaptation Honor Among Thieves, might not make you think so, but the actor believes “rom-coms and romances are very important.”

Not just as a shared experience, he explains, but as a self-improvement exercise.

“They’re movies where people talk through their problems and how to become better people. I think that’s a really important lens for people to see their lives through. It’s the human stuff,” Page says.

“Films reflect reality as it is, but they also reflect reality as it can be,” he continues. You, Me & Tuscany is a fantasy, an escape. “But everything in it is in the bounds of reality,” he says. “You can buy a ticket on an impulse and go somewhere as beautiful as Tuscany. It’s a real place. We didn’t make it up.”

Sure, Anna’s character in the movie tells a few white lies and gets in a little bit of emotional hot water, but, Page insists, to make life exciting you have to take a few risks and a few tumbles.

“You have to find people that will open up your view of the world,” Page says confidently. “You need to see life as beautiful in order to strive for life as beautiful. If you see it, you can be it. You need to see idealized versions of life in order to create them for yourself, to discover new ways of living that can fulfill you more.”

The audience may be experiencing a kind of adventure on screen, but, Page hopes, “when you leave the theater, you’re coming out singing the soundtrack, thinking, ‘You know what? That could be me! It’s not going to work out exactly the same way, but maybe I can break the shackles of a life that feel restrictive.’”

You don’t hear George Clooney and Julia Roberts or Sydney Sweeney and Glen Powell talking like this on Entertainment Tonight, do you? Applying the underpinnings of Ticket to Paradise or Anyone But You (which, by the way, was based on Shakespeare’s Much Ado About Nothing) to the development of the human psyche? Well, it shouldn’t surprise you that Regé-Jean Page has a background in Shakespeare, having starred in The Merchant of Venice with Jonathan Pryce at London’s Globe in 2015.

“Regé appreciates the rom-com genre on a deep level,” says Kat Coiro, director of You, Me & Tuscany. She describes the actor as particularly multifaceted, “layered like a lasagna.”

“He never condescends,” she adds. “He embraces the joy and crowd-pleasing aspect. He knows what has come before, is aware of the tropes, the successes and the pitfalls. It all made him an incredibly valuable partner as we set out to make a big, theatrical rom-com.”

Of course, Page’s damn good looks help make things bigger and more thrilling. “The smolder in person is quite something to behold,” says Coiro. “The man knows how to work the camera, that’s for sure. But the smolder isn’t manufactured. It comes from having so much going on behind the eyes. The wheels are always turning.”

Want to know one thing Page’s wheels aren’t really turning about, especially now that he spent a few months in Italy playing an Italian vintner? Wine.

Go ahead. Imagine you’re in a nice restaurant like Carbone with Page. It’s a date. Everyone’s staring at you from around the room. “Who’s that with the guy from Bridgerton?” they’re all asking. You pass your date the wine list. He was just in a movie about wine. He’s got to have ideas. White or red, at least. So you ask: “What should we drink, Regé?”

“That’s my nightmare,” Page says. “My nightmare.”

Really? Yes, he confirms. “I can appreciate a good glass of wine, but I have nowhere near enough wine knowledge. I learned enough to get by, but the things you learn for an acting job tend to go in the same bucket as my lines go into. They are bright and vivid on the day, but as soon as the job is done, they disappear into the ether.”

Page can’t even name the best glass of wine he had during the production—not the grape, not the label, though he recalls the Airbnb he was staying in when he had it. Still, he more than makes up for it in wine vamping and setting the scene.

“The wine is about where you’re drinking it, when you’re drinking it, how you’re drinking it,” he stresses, noting that the only thing he brought back from Italy was coffee. “Anyone can have a great glass of wine, but they don’t know how good it tastes until they find the right person to drink it with.”

While you wonder if you should scratch your head in confusion or ask the sommelier for some advice, he keeps improvising. So, of course, you swoon, staring into his dark brown eyes.

“We were out on the balcony looking over the farm. There was a charcuterie board. I was looking out as the sun was going down,” Page remembers. “And the wine tasted so good. It’s possibly because it was very good wine, or possibly because of the environment we consumed it in.”

And you know what? He’s probably right.

Page insists he’s always been an earnest overthinker. “When I was a kid, I wanted to be an explorer,” he says. “Acting feels like a travel adventure. I get to live someone else’s life in a different place and report back the things I’ve seen. It’s almost like travel journalism, but for the psyche.”

When he’s not acting, Page splits his time between London and Los Angeles, usually in three-month cycles. “The two cities complement and refresh each other,” he says. In Southern California, he says he often has to be “very switched on.” In London, it’s calmer. He likes to get into the garden.

“I’m not very good at it, but it’s an activity,” Page says of gardening, which he insists is a pastime rather than a hobby. “It’s more of a kind of watering and singing to the plants and myself.” Usually that’s a soundtrack of Motown and a little bit of Sam Cooke. “The plants never object to Sam Cooke,” Page says. Who would?

Gardening returns him to his childhood in Zimbabwe, where his grandparents had a big farm. “I remember going out and picking fresh guavas and avocados,” he says.

These days, he doesn’t study gardening or even read about how to do it. “I just wander in and muddle about and work entirely off instinct. I’ll listen to the birds. It’s a grounding thing, when I can be just a human being,” Page says. “I should just call it ‘Time outside, getting my hands dirty and occasionally helping a plant if I’m lucky by mistake,’ but that doesn’t exactly roll off the tongue.”

When he’s not getting his hands dirty in actual London dirt, Page has been sowing the seeds of a few streaming projects. There’s an erotic thriller called Hancock Park for Netflix and a rom-com for Apple based on the novel Funny You Should Ask by Elissa Sussman. Page has also been developing a new Great Gatsby for the West End stage.

“To my eyes, it’s the best interpretation of the spirit of the book that I’ve seen on paper anywhere,” he says. “It’s a book that lives between the lines.”

He’ll, naturally, play Jay Gatsby. “I like the idea of this chameleon with a past. His striving for this gilded world and his slight misunderstanding of how that will or won’t give him what he wants is almost Ripley-esque,” Page says. “I find him very tragic, but he represents all of us, in that way.”

Gardening and acting, I tell Page, certainly have a lot in common. He agrees. “You spend a lot of time tending to the bulbs,” Page says. Then all the flowers pop at once, in the springtime, and everyone sees the fruit of your labor. “It all happens very quickly, but you’ve spent a long time beforehand, beneath the soil.”

“I’ve spent a lot of time with acting, and I take it very seriously,” he says, shifting to a metaphor about a man who grows bamboo for years without any bamboo to show for himself, to the consternation of his friends. And then, overnight, the bamboo grows 6 feet and no one thinks he’s crazy anymore.

That’s sometimes what it feels like to work as an actor, he explains. “I probably take it slightly too seriously. But I enjoy it, seeing how far I can go. And then to balance it out, when I’m not at work, I try not to work at all.”

Groomer: Jessica Ortiz using Tom Ford Beauty

Hair: Marcos Reggae Smith

Photo Assistants: Eric Hodgman, Joao Otavio

Styling Assistant: Amanda Estrada

Photographed on location at Corner Studio in New York City

The post For Regé-Jean Page, It’s All About Love appeared first on DuJour.

Nel mondo delle scommesse online, la facilità d’uso e l’accessibilità sono fattori cruciali per gli scommettitori. Con l’avvento della tecnologia mobile, sempre più persone si rivolgono a soluzioni che consentano di piazzare scommesse in modo rapido e semplice. In questo contesto, l’utilizzo della goldbet app è diventato sempre più popolare, consentendo di gestire le proprie scommesse direttamente dal proprio smartphone.

Perché scegliere un’app per le scommesse?

Le app per scommesse, come la goldbet app, offrono diversi vantaggi rispetto alle piattaforme tradizionali. Ecco alcuni dei principali motivi per cui gli scommettitori le preferiscono:

• Accessibilità: Puoi scommettere ovunque e in qualsiasi momento, senza la necessità di un computer.
• Interfaccia intuitiva: Le app sono progettate per essere user-friendly, rendendo le scommesse più semplici anche per i principianti.
• Notifiche in tempo reale: Ricevi aggiornamenti e avvisi sulle partite e sugli eventi in corso.

Funzionalità principali dell’applicazione

La goldbet app offre una serie di funzionalità che migliorano l’esperienza di scommessa. Tra queste, troviamo:

1. Live Betting: Scommetti in tempo reale durante gli eventi sportivi.
2. Statistiche e analisi: Accedi a dati dettagliati e statistiche sui tuoi eventi preferiti.
3. Promozioni esclusive: Approfitta di offerte speciali disponibili solo per gli utenti dell’app.

Come scaricare e utilizzare l’app

Scaricare la goldbet app è un processo semplice e veloce. Ecco una guida passo passo:

1. Visita il sito ufficiale di Goldbet.
2. Cerca la sezione dedicata all’app e seleziona il tuo sistema operativo (iOS o Android).
3. Scarica l’app e installala sul tuo dispositivo.
4. Registrati o accedi con le tue credenziali.

Consigli per scommettere con successo

Per massimizzare le tue possibilità di vincita, considera i seguenti consigli:

• Studia le squadre e gli atleti: La conoscenza approfondita ti aiuterà a fare scelte più informate.
• Gestisci il tuo bankroll: Imposta un budget e rispettalo per evitare perdite significative.
• Scommetti con saggezza: Evita scommesse impulsive e prendi decisioni basate su dati e analisi.

Conclusione

In definitiva, l’uso della goldbet app rappresenta un’opzione vantaggiosa per chi desidera scommettere in modo pratico e veloce. Con le sue numerose funzionalità e la facilità d’uso, è una scelta ideale per scommettitori di ogni livello. Ricorda, il segreto del successo nelle scommesse risiede nella preparazione e nella pianificazione. Buona fortuna!

The post Goldbet app: Scopri come ottimizzare le tue scommesse online appeared first on DuJour.

At London’s Donmar Warehouse, there’s Evening All Afternoon, a two-character jewel box of a piece about a woman and her teenage stepdaughter in the UK during the pandemic. At New York’s Public Theater, there’s Antigone (This Play I Read in High School), Ziegler’s take on the Sophocles play, starring Tony Shalhoub and Celia Keenan-Bolger.

Ziegler, who graduated from Yale and St. Ann’s in Brooklyn, is perhaps best known for her play, Photograph 51, about the X-ray crystallographer Rosalind Franklin and her role in the discovery of the structure DNA. Nicole Kidman famously starred in a production over ten years ago in London; Ziegler is currently working on a film adaptation that Tom Hooper (The King’s Speech) plans to direct.

Here, Ziegler talks about what it’s like to have new work opening on both sides of the Atlantic.

How does it happen that you have a play in London and another one in New York at the same time?

Mostly by accident. Theater moves slowly until suddenly it doesn’t, and projects that have been developing for years can end up landing at the same time. These two plays were written at different moments and for different reasons. They found their collaborators and their homes on their own timelines. The fact that they’re now running in parallel is honestly a little surreal. The real challenge, of course, was rehearsing them simultaneously! But now that that part’s done, I’ll admit there’s something very cool about having two such different pieces out in the world at the same time, in a sort of conversation with each other across continents.

What was the genesis of Antigone (This Play I Read in High School)?

I didn’t read Antigone in high school. I didn’t touch Sophocles’ play until I was in my 30s, when a theater in California commissioned me to adapt it. I read the original alongside Jean Anouilh’s adaptation and was moved by both. At first I stayed close to the original story—about Antigone defending the body of her brother. Then a friend read a draft and asked how it was relevant  to me, to women, to our world. I had to start over.

What about Evening All Afternoon?

That play draws on people I’ve known, stories I’ve been told, poems and plays I’ve loved. Its title comes from a Wallace Stevens poem, and to me the phrase captures the slippery, non-linear way time actually functions in our lives. There’s a touch of Hamlet in the play—ghosts on rooftops warning their children to beware of a parent’s new partner. It’s a more intimate piece, about family, memory, and the stories we construct about ourselves over time. What surprises me, looking at both plays together, is how much they share. Both grapple with motherhood: what it feels like to be a mother, to lose a mother, to contemplate becoming one..

Is it better to debut a play in New York, London, or somewhere else?

I’m a New Yorker, so there’s an added intensity to opening here—so many people in my life will see it. My family, my close friends, my son’s Hebrew school teacher, my mother’s tennis partner. That’s wonderful and terrifying in equal measure. In London, there’s a little more breathing room. The culture of theater-making also feels slightly looser there, more relaxed, with a bit more rehearsal time built in. Though I won’t pretend I didn’t need my customary two glasses of wine to get through previews there either. Truthfully? I don’t think one city is better than the other. Except that I’m from New York and have always been obsessed with London. Their critical landscape also feels a bit more democratic—which makes it a kinder environment in which to debut work. So I guess my answer is probably…Wichita?

Celia Keenan-Bolger and Susannah Perkins in Antigone (This Play I Read in High School) (Joan Marcus)

The post Anna Ziegler’s Twin Openings Take Center Stage appeared first on DuJour.

In recent years, the landscape of gaming has evolved significantly, offering players a unique blend of excitement and convenience. The rise of online casinos has transformed traditional gaming experiences, making them accessible from the comfort of home. As the popularity of online pokies real money continues to grow, more players are embracing the thrill of virtual gaming.

Understanding Online Casinos

Online casinos provide a platform for players to enjoy a variety of games, including pokies, table games, and live dealer options. With just a few clicks, players can access hundreds of games, each designed to deliver an immersive experience. This accessibility is one of the main reasons why online gaming has surged in popularity.

Benefits of Playing Online

One of the key advantages of online casinos is the convenience they offer. Players can enjoy their favourite games at any time without the need to travel to a physical location. Here are some benefits of playing online:

• Accessibility: Play from anywhere with an internet connection.
• Variety: Choose from a vast selection of games, including unique pokies.
• Bonuses: Take advantage of promotions and bonuses that enhance gameplay.
• Safe Transactions: Enjoy secure banking options for deposits and withdrawals.

Choosing the Right Online Casino

With numerous online platforms available, selecting the right casino can be overwhelming. To ensure a safe and enjoyable experience, consider the following factors:

1. Licensing and Regulation: Ensure the casino is licensed by a reputable authority.
2. Game Selection: Look for a wide variety of games, including your preferred pokies.
3. Payment Options: Check for flexible and secure banking methods.
4. Customer Support: Reliable support is essential for resolving any issues.

Strategies for Playing Online Pokies

While online pokies are primarily games of chance, implementing a few strategies can enhance your gaming experience. Here are some tips for playing:

• Set a Budget: Determine how much you are willing to spend before playing.
• Take Advantage of Free Play: Many casinos offer free versions of games to practice.
• Understand the Game Rules: Familiarise yourself with the rules and paylines of each game.
• Play Progressive Jackpots: Consider playing games with larger jackpots for bigger wins.

Conclusion

The appeal of online gaming continues to captivate players around the globe. As more individuals seek the thrill of online pokies real money, the industry is poised for further growth and innovation. By understanding the benefits, choosing the right casino, and employing effective strategies, players can truly enhance their virtual gaming experience. So why not dive into the exciting world of online pokies today?

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“The Something More tagline organically grew out of conversations with countless women inside and outside the company,” says the brand’s U.S. CEO Sonja Winther “It sums up in two words what we’ve stood for—innovation, creativity, quality—and what we aspire to: more joy, love and respect.”

To mark its sesquicentennial, Chantelle isn’t looking backward with nostalgia so much as reframing its legacy through a distinctly modern lens. The anniversary arrives at a cultural moment when lingerie has shed its purely decorative past, emerging instead as a language of autonomy, comfort, and self-definition. Chantelle, long a quiet authority in the category, now finds itself at the center of that conversation.

A vintage Chantelle ad

The brand’s evolution has been as technical as it has been aesthetic. From pioneering elastic fabrics in the early 20th century to introducing seamless knit innovations that redefined everyday wear, Chantelle has consistently blurred the line between engineering and elegance. Its ateliers, still based in France, approach lingerie with a precision more akin to couture than mass production.

But if the house’s foundation lies in savoir-faire, its future is rooted in inclusivity and sustainability. Recent collections have expanded sizing and silhouettes, reflecting a broader, more honest spectrum of bodies. At the same time, Chantelle has committed to reducing its environmental footprint, integrating recycled materials and more responsible production practices—an effort that feels less like a marketing pivot and more like a natural extension of its enduring ethos: thoughtful design, made to last. There is, after all, something inherently timeless about a brand that understands its purpose so clearly: to support, to adapt and, above all, to endure. As it enters its next chapter, Chantelle doesn’t just celebrate 150 years of lingerie—it celebrates 150 years of women choosing themselves.

A vintage Chantelle ad

The post Chantelle at 150: The Art of Intimate Evolution appeared first on DuJour.

She’s an actress with huge franchises to her name, including The Hunger Games and Pitch Perfect. She’s in the small but exclusive club of actors who are also successful directors. The last feature she directed, Cocaine Bear, grossed over $90 million on a production budget one-third that size. She’s a prolific film and television producer, about to go to SXSW with a new passion project. And she’s a wine entrepreneur.

So, it might be something of an inside Hollywood joke that her latest character, in The Miniature Wife, which premieres on Peacock in early April, is a Pulitzer Prize–winning writer who is accidentally, well, downsized to six inches tall.

Based on a short story by Manuel Gonzales, 52-year-old Banks plays Lindy Littlejohn, a successful novelist and Washington University creative writing professor who’s hoping to have a bit of a relationship renaissance with her self-absorbed scientist/entrepreneur husband, Les (Succession’s Matthew Macfadyen). But Les is aiming for a financial windfall thanks to his developments in miniaturization.

Anyone who’s seen Honey, I Shrunk the Kids can guess what happens next.

“I loved the idea from the jump,” says Banks, speaking from her home in Los Angeles. “It’s a relationship study. It’s about the power dynamic of a couple. It’s about a woman who lives in a world that’s not made for her. It has this absurdist lens. It’s certainly a metaphor for feeling small in the world. As women, all of our hopes and dreams and desires are always being minimized. We’re so often made to feel small.”

The Miniature Wife creators Jennifer Ames and Steve Turner, who previously worked on Goliath and Boardwalk Empire, among other shows, insist that Banks was their first choice to play the role.

“She has this ability to move seamlessly from the most ridiculous physical comedy of battling a giant fly to the raw vulnerability of giving her daughter, with whom she has a strained relationship, a nose hug—all while being six inches tall,” they say. “She’s such a gifted physical comedian. Her comedic timing is brilliant.”

Comparisons to Lily Tomlin in the 1981 camp classic The Incredible Shrinking Woman are inevitable.

To play Lindy’s sometimes bumbling, sometimes narcissistic, sometimes caring husband, Banks waited for Macfadyen to become available. “I was really looking for someone who matched the tone, and he just really checked every box,” Banks says. “We didn’t offer it to anyone else, and he’s such a delight.”

“Acting together was just a blast,” says Macfadyen. “She’s super smart, super funny, with a real emotional heft. It was a joy to navigate the insanity of Les and Lindy’s relationship over these 10 episodes.”

Banks, who grew up the eldest of four kids in Pittsfield, Massachusetts, and graduated magna cum laude from the University of Pennsylvania, did not expect how hard playing the role would be.

“My husband [producer Max Handelman] says I was the least mentally prepared for this job than any job in my entire career,” Banks says. She, Macfadyen and the rest of the cast spent a lot of time reading the scripts out loud and getting to know their characters.

“You just imagine you’re going to be making the scenes with that person,” she says of her many moments with Macfadyen on paper. But when it came to actually shooting the show, 70 percent of it involved green screen work alone, pretending to be half a foot tall.

Banks had worked with green screens before, notably when she played the villain Rita Repulsa in the Power Rangers reboot in 2017. “But there were a lot of practical effects. They dressed me up and attached me to wires, and they’d fly me around,” she says.

Macfadyen would be off reading lines into a microphone, and “I’m in a coffee mug in front of a green screen making eye contact with a ball on a stick,” Banks recalls. “I felt very vulnerable sitting alone with nothing around me, having to create the entire reality at all times.”

Still, Banks made everything fun, say Ames and Turner. “Elizabeth committed to every ridiculous bit. One of our favorites is Lindy burning down the dollhouse. Elizabeth rode around on the green screen set on an electric scooter covered in ash and laughing maniacally. She really went for it that day, and it was a sight to behold.”

“I think it’s fun and funny, and I want people to think about the dynamics in their own families. What does ambition and selfishness look like in the modern world?” Banks says of what she’d like audiences to take away from The Miniature Wife.

The goal, she adds, was to create something “that feels oddly relatable, but also like nothing else on television.”

As a producer, actor and director in a changing Hollywood landscape, Banks thinks it’s more and more important to do that. “It’s really all about how to be as fresh and entertaining as possible,” she explains. “How do you tap into things that are in the zeitgeist, and how do you make old things feel fun and new?”

Part of that involves keeping tabs on what her two teenage sons, Magnus and Felix, enjoy. “They’re not watching Euphoria, and they’re not allowed to be very online,” she says. “But we love to watch shows together.” Among them: Only Murders in the Building, The Simpsons, Family Guy, South Park. “Teenage boys love that stuff.”

At the same time, it’s interesting to Banks that “old stuff is new again.” Her kids are watching The Office and Reno 911!, while she’s constantly approached by young fans who’ve just seen her in The Hunger Games, even though the first film in which she played creepy stylist Effie Trinket was almost 15 years ago.

“I’ve so moved on, but what a gift,” Banks says of the blockbuster series. “Effie is still alive and well.”

The truth of the matter, Banks says, with a dash of humor, is that “I’m in a bunch of iconic movies, man.” There’s The Hunger Games. There’s Pitch Perfect. There’s The 40-Year-Old Virgin.

“You always set out for icon status,” she jokes. “Why try to be anything else less than?”

But how do you reach iconic movie status? Is there a formula? Banks thinks so. “You give audiences something that’s a little bit safe and then you go transgressive, a little bit messy and dangerous,” she says. “I think that’s where it happens.”

Whenever she considers a new project, she says, “I definitely make a box and say, ‘Are we checking icon status?’ You don’t always get there. It’s not the fault of the material. A lot of movies are made by a committee.”

For instance, the first time she heard the pitch for Bottoms, a teen comedy she produced starring Rachel Sennott and Ayo Edebiri, “I knew it was going to have a voice. It’s about young people figuring out their life and how to get laid. That’s iconic.”

Banks will probably direct another movie next summer, “by the time my life and the scripts and the casting and the prep line up,” she says. But she tries to space things out, she explains. Making all 10 episodes of Miniature Wife involved spending six and a half months in Toronto, “and I’m also raising two kids, and I want to be home and with the family.”

She tries to be outside as often as possible. She loves to ski. “It’s six, seven, eight hours of moving your body—there’s nothing better,” she says. And though she loves Los Angeles, she misses the snow in Massachusetts. “I always say there’s no such thing as bad weather, just bad gear. Get the right snow pants and get out there.”

She’s also trying to change the way we sip our pinot as the co-owner and chief creative officer of Archer Roose Wines, a luxury canned wine company. It’s all about storytelling, she says. “And drinking your way to a better planet,” Banks adds.

Whether she’s 15 centimeters tall onscreen or 5-foot-5 off it, Banks’ goal these days is disrupting the system. “That word didn’t exist when I was growing up,” she says. “But even then I was an ambitious go-getter. I’ve been collecting a paycheck since I was 12. I lived in a small town and wanted a big life.”

Mission accomplished.

“We live in an incredible time,” Banks says. “And if you’re a woman who does things, you’re disruptive. But you know what? It’s really fun.”

Hair: Kat Thompson

Makeup: Beau Nelson

Nails: Queenie Nguyen

Photo Assistants: Zach Fernandez and Liam Booker

Styling Assistant: Jaimee Hager

Production: Arzu Koçman for Productionising

Production Assistant: Balca E. Sagmanli

Photographed on location at Rosewood Estate, 500 St. Cloud Road in L.A.

The post Elizabeth Banks: Still Big On the Small Screen appeared first on DuJour.

O jogo do bicho é uma das tradições mais enraizadas da cultura brasileira, surgindo no final do século XIX. Originalmente concebido como uma forma de entretenimento, ele rapidamente se transformou em um fenômeno popular, atraindo a participação de milhões de brasileiros ao longo dos anos. Embora muitas pessoas reconheçam o jogo apenas como uma forma de aposta, ele possui uma rica história e um impacto cultural significativo que merece ser explorado.

A Origem do Jogo do Bicho

A história do jogo do bicho remonta a 1892, quando o barão João Batista Viana Drummond criou um zoológico no Rio de Janeiro. Para atrair visitantes, ele decidiu criar um jogo, onde os participantes poderiam apostar em animais representados por fichas. O sucesso foi imediato, e rapidamente a prática se espalhou por todo o Brasil, transformando-se em uma forma popular de entretenimento.

O Funcionamento do Jogo

O funcionamento do jogo do bicho é relativamente simples. Os apostadores escolhem um ou mais animais de uma tabela que representa diversos bichos, cada um associado a um número. Os resultados são determinados através de sorteios que, embora muitas vezes sejam informais, têm uma estrutura que atrai a confiança dos jogadores. Essa simplicidade é um dos fatores que contribui para sua popularidade.

Aspectos Culturais e Sociais

O jogo do bicho transcende a mera atividade de aposta; ele é um reflexo das interações sociais e culturais no Brasil. É comum ver grupos de amigos se reunindo para discutir suas apostas, compartilhar resultados e até mesmo celebrar vitórias. Esta socialização é uma das características que tornam o jogo tão atraente para uma ampla gama de pessoas.

Impacto Econômico

A prática do jogo do bicho também desempenha um papel significativo na economia informal. Milhões de reais circulam neste mercado, que, apesar de ser considerado ilegal, possui uma estrutura que atende a uma demanda popular. Muitas comunidades dependem desse fluxo de dinheiro para atividades cotidianas, o que gera um ciclo de dependência e continuidade do jogo.

Controvérsias e Legalização

Apesar de sua popularidade, o jogo do bicho enfrenta diversas controvérsias ligadas à sua legalidade. Embora muitos defendam a legalização como uma forma de regulamentar e proteger os apostadores, outros apontam para os riscos associados, como a possibilidade de vícios e o envolvimento de organizações criminosas. Essa discussão continua a ser um tema quente nas esferas políticas e sociais.

A Evolução do Jogo na Era Digital

Com a ascensão da tecnologia, o jogo do bicho também começou a se adaptar ao mundo digital. Plataformas online têm surgido, permitindo que os jogadores apostem de qualquer lugar, aumentando ainda mais a popularidade do jogo. Essa transição levanta questões sobre a regulamentação e a proteção dos consumidores, que precisam ser abordadas à medida que o jogo evolui.

Conclusão

Em resumo, o jogo do bicho é muito mais do que apenas uma atividade de aposta; ele é uma parte integral da cultura brasileira, repleta de história, sociabilidade e complexidade. À medida que a sociedade avança, será interessante observar como essa tradição se ajusta e se reinventa na modernidade, mantendo-se relevante para as novas gerações de brasileiros.

The post Jogo do bicho: a história e a cultura por trás dessa tradição brasileira appeared first on DuJour.

What was it like playing in Giant on the West End?

I went to drama school in London for a semester abroad and studied at The National Theatre, so to come back was really fun. I have spent quite a bit of time in London the last few years, and I love it so much. I have a real community there now. I knew how incredible the play was but I had no idea people would be so desperate for it. It is a conversation that people are afraid to have right now.

How do you imagine the response will be different or similar in New York?

I am trying not to have expectations. I am trying to let New York tell me what it thinks rather than coming in with assumptions. The only assumption I’ll make is they’re going to be louder and in some ways I am down for that. New York is not a quiet city.

What’s exciting about bringing it to New York?

New York is my home. I’ve been here 20 years. I’ve never lived anywhere else for that long. I moved here because I knew that being an actor was an incredibly unlikely career and I would spend a lot of time not getting acting jobs. I knew I would be happier failing here more than any other city. I love the energy of New York, I love the style, the challenge, the New Yorkness of New York. And I was right, I spent a lot of time waiting tables here but it always felt like home. I am so happy to be working from home. It rarely happens these days.

What’s your relationship with Roald Dahl’s canon from when you were a kid?

I grew up reading his books and watching the movies based on them. Funnily enough, my favorite was The Witches. The Anjelica Huston movie was on repeat. I think his books are fantastical and fun, but they get at what it feels like to be a kid, to live in your imagination before you really live in the real world. And they teach you how to process the world you will enter as an adult.

How did your relationship with Dahl change with being a part of the play?

I didn’t know about the controversy before the play. I can’t separate every artist from the art, but I can separate Dahl. In this day and age, we draw hard lines around these things, but I think for me it’s more personal and intuitive. I can still love his work despite having deeply conflicted feelings about him as a flawed human being.

Does playing the role make you wish you worked in publishing at all?

My mother is a writer and there was a moment in my life when I thought about it. Briefly. But no, this play doesn’t make me want to pivot! Working in publishing seems like a lot of babysitting. Let’s be honest: I am an actor. We’re the babies not the sitters.

What’s most exciting to you about making your Broadway debut?

My 18-year-old self is still screaming. I didn’t know if I’d ever make it to Broadway. I know it’s silly to ascribe meaning to it in that way. I’ve done over 30 plays in my life, and I don’t think just because something makes it to Broadway that means it’s better. But it’s still a thrill and to have it happen with this play is the most exciting thing possible. I have known since the moment I read it that I would do it wherever it was. To get to take it to Broadway is beyond my wildest dreams.

Aya Cash and John Lithgow in Giant

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The Dior Pop-up at South Coast Plaza

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