Art World Up and Comer

by Natasha Wolff | March 12, 2014 1:17 pm

When Stuart Comer left London last year for New York, he didn’t relocate for a new job—he relocated for two. The former film curator at the Tate Modern signed on to be the Museum of Modern Art’s chief curator of media and performance art as well as part of the team curating the Whitney Museum of American Art’s 2014 Biennial[1]. Neither of these could be considered a small job.

“I’ve been trying to find a new term for multitasking,” Comer says over a much-needed coffee at the Modern’s cafe, “because what I’m doing goes far beyond that.”

Slim fit shirt, $180, THOMAS PINK,[2]. Sweatshirt, price upon request, BALLY, 212-751-9082. Trousers, $1,200, ERMENEGILDO ZEGNA COUTURE,[3]. Stan Smith sneakers (worn throughout), $75, ADIDAS ORIGINALS,[4].

At the Whitney Biennial, which runs from March through May, Comer’s been tasked (along with co-curators Anthony Elms and Michelle Grabner) with taking the pulse of the contemporary art scene—though he can’t say just yet what he’s discovered.

“The best shows come out of the work, so it doesn’t make sense to predetermine too many things,” he says when he’s asked about what the closely watched exhibition might contain. “But there’s a theme coming out of it I hadn’t expected: man and nature in a moment of crisis. An ecological gothic, if you will.”

Suit, $1,295, EIDOS NAPOLI, Bloomingdales, 212-705-2000. Slim fit shirt, $180, THOMAS PINK,[2]. Classique watch, $19,900, BREGUET,[5]. Belt, $465, BRUNELLO CUCINELLI,[6].

His new curatorial position at MoMA, meanwhile, allows the Connecticut native to utilize an alternate set of skills.

“They’re very different roles,” he says. “A biennial is not about assessing history in the same way as it’s about taking the temperature of the moment. My role at MoMA will involve building the collection and asking questions about what it means to collect performance. The Biennial is a flash point, but the job at MoMA is an evolving process.”

Needless to say, holding two such prestigious and demanding positions has made Comer a highly visible part of the art establishment—albeit one with little time for pursuits outside of work.

And how’s he holding up so far? “I try to sleep,” he says, “but it’s not working too well.”

Trench coat, price upon request, BRIONI,[7]. Sweater, $725, ERMENEGILDO ZEGNA, 212-421-4488 Sweater (worn underneath), $790, ERMENEGILDO ZEGNA COUTURE, 212-421-4488. Trousers, $350, EIDOS NAPOLI,[8]. Classique watch, $19,900, BREGUET,[5].

In main image: Currator Stuart Comer wears a jacket, $5,400, ERMENEGILDO ZEGNA COUTURE,[3]. One-piece pull over, $175, EIDOS NAPOLI, Carson Street Clothiers, 212-925-2627. Trousers, $160, BANANA REPUBLIC,[9].



Portrait of a Self-Taught Art Collector[10]
Drew Barrymore’s Very First Piece of Art[11]
Inside Faith Kates’ Art-Filled Apartment[12]

  1. 2014 Biennial:
  10. Portrait of a Self-Taught Art Collector:
  11. Drew Barrymore’s Very First Piece of Art:
  12. Inside Faith Kates’ Art-Filled Apartment:

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